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Samsung and LG Uplus want to turn cell towers into radar for 6G

Samsung Electronics and LG Uplus signed a memorandum of understanding on 27 May to jointly develop Integrated Sensing and Communication, or ISAC, a technology that would allow mobile network base stations to double as environmental sensors. The agreement was signed at LG Science Park in Magok, Seoul, with Samsung Research, the advanced R&D division within Samsung’s Device eXperience unit, leading the development effort.

ISAC works by analysing wireless signals as they reflect off nearby objects, extracting information about an object’s speed, distance, and direction of movement. In practical terms, it means a cell tower could detect a drone, track a vehicle, or monitor foot traffic without any dedicated sensing hardware. The technology uses the same signals that already carry voice and data, turning existing communications infrastructure into a sensing platform.

Why it matters

Environmental sensing today relies on dedicated equipment. LiDAR systems use laser light to measure distance, while radar uses radio waves. Both require separate hardware that must be installed, powered, and maintained independently of the communications network. ISAC eliminates that requirement by piggybacking sensing on the wireless infrastructure that mobile operators have already built.

The International Telecommunication Union’s Radiocommunication Sector, which sets the global framework for mobile standards, has designated ISAC as one of six usage scenarios for IMT-2030, the formal name for 6G. It sits alongside immersive communication, hyper-reliable low-latency communication, massive communication, ubiquitous connectivity, and AI-integrated communication. The inclusion signals that 6G networks are being designed from the outset to sense the physical world, not just move data through it.

What they will test

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The collaboration will initially focus on human detection for safety applications and on improving network operational efficiency. The two companies plan to validate ISAC performance on LG Uplus’s existing 5G networks first, then move to the 7 GHz band, a candidate frequency for 6G that offers a balance between the wide coverage of lower bands and the high bandwidth of millimetre-wave spectrum.

Over time the partnership will combine ISAC-generated wireless data, including location, speed, and density information, with camera imagery to improve detection accuracy. That work will involve developing multimodal AI models that integrate and analyse diverse forms of sensing data. Samsung Research will handle core ISAC and AI technology development, while LG Uplus will provide data and field-testing infrastructure from its commercial network.

The spectrum race behind 6G

The 7 GHz band is increasingly described as the “golden band” for 6G because it offers enough bandwidth for high-speed data while still propagating far enough for practical coverage. South Korea is actively exploring the 7.125 to 8.4 GHz range as a primary 6G candidate. The World Radiocommunication Conference in 2023 identified portions of the 6.425 to 7.125 GHz band for mobile use in several regions, and the 7.125 to 8.4 GHz range is on the agenda for WRC-27.

In the United States, the National Telecommunications and Information Administration must complete its study of the 7.125 to 7.4 GHz band by the end of 2026 before it can be opened to commercial wireless. Europe is pursuing the upper 6 GHz range. The allocation decisions at WRC-27 will largely determine which countries have the spectrum to deploy 6G at scale and which do not. For South Korea, whose economy is deeply exposed to shifts in global tech supply chains, securing early 6G spectrum and standards influence is a strategic priority.

Samsung’s 6G positioning

Samsung has been building its 6G credentials methodically. The company published a 6G white paper outlining its vision for AI-native and sustainable communications, demonstrated 6G technologies alongside global partners at the Silicon Valley Future Wireless Summit in November 2025, and showcased AI-RAN capabilities at Mobile World Congress in March 2026. The ISAC collaboration with LG Uplus extends that work from lab demonstrations to field validation on a live commercial network.

The partnership pairs Samsung’s research capabilities with LG Uplus’s operational infrastructure, a combination that matters because ISAC performance in controlled environments may differ significantly from real-world networks with interference, building reflections, and variable traffic loads. Samsung’s broader ambitions in AI and semiconductor manufacturing give it a vertically integrated stake in 6G infrastructure that few competitors can match.

Commercial 6G deployment is not expected until the early 2030s, and ISAC will need to clear both technical and regulatory hurdles before it replaces dedicated sensing equipment at scale. But the technology represents a genuine shift in what a wireless network can do, and Samsung and LG Uplus are now testing whether the physics holds up outside the lab.

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Alina Maria Stan

UK and France begin AI collaboration for medical research

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The two governments unveil ‘groundbreaking’ science and technology deal

Cliff Saran

By

Published: 29 May 2026 15:15

During the G7 Digital and Technology Ministerial Summit in Paris, the UK government announced a partnership with France to use advanced imaging and artificial intelligence (AI) to improve research in women’s health.

The summit is focused on AI adoption, security and resilience to protect citizens, driving economic growth, and unlocking jobs and opportunities, as well as the energy and water efficiency of the digital sector and how to create a safer online world for children and young people.

The partnership, called the UK-France Strategic Biomedical Alliance in Health and AI, is a collaboration between the University of Oxford, Université Paris Cité, Institut Pasteur, and the UK and French national advanced imaging facilities, the Diamond Light Source and Synchrotron Soleil.

The overall objective is to make it simpler and faster for British and French institutions to cooperate on biomedical research. The Department for Science, Innovation and Technology (DSIT) said that harnessing emerging technology like AI involves joint projects, sharing research expertise in both countries, and working together on joint funding bids to deliver the technologies and products that will benefit people all over the world.

The team of researchers will use AI and data to tackle under-researched, under-diagnosed conditions effecting millions of women. These include complications arising from childbirth and living with endometriosis. 

Speaking about the partnership, technology secretary Liz Kendall said: “This groundbreaking partnership between the UK and France will tackle some of the biggest challenges in women’s health, deliver safer and healthier pregnancies, and accelerate the fight against infectious diseases worldwide. That means new treatments, earlier diagnoses and more personalised care.

“We are determined to build on that spirit of co-operation with our G7 partners this week, to drive forward work on some of the most important issues that affect us all, from AI adoption to keeping kids safe online.”

The government committed £900m of funding to boost the partnership between the Bristol Centre for Supercomputing, which hosts Isambard‑AI, and France’s computing centre, Genci. DSIT said this will allow researchers to access world-class compute and deliver scientific breakthroughs. 

Through the UKRI’s International Science Partnerships Fund, the UK is also contributing £300,000, matched by €330,000 from the French government to support new researchers living and working both in the UK and France, advance their careers.

Imperial College has also signed an agreement with the French National Center for Scientific Research to collaborate on metabolism research – tackling major health challenges including heart disease, cancer and neurodegenerative disorders.

French minister for higher education, research and space Philippe Baptiste said: “The renewed dialogue between France and the United Kingdom marks a decisive step in our scientific partnership. Together, we are building a dynamic and ambitious roadmap, transforming our shared vision into concrete actions, notably through enhanced collaboration in Horizon Europe projects. This cooperation, anchored in trust and excellence, will deliver tangible results in artificial intelligence, health and beyond, for the benefit of both nations.”

Hugh Brady, president of Imperial College London, said: “Understanding metabolism is crucial to addressing some of the biggest health challenges of our time – from obesity and diabetes to cancer and neurodegenerative diseases – and our new joint laboratory will put the UK and France at the forefront of this critical area of research. By bringing together world-leading expertise and cutting-edge technologies, including AI and machine learning, we will deepen our understanding of these complex conditions for the benefit of all.”

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Rebecka Klemp

How the Pope’s Magnifica Humanitas offers a template for individuals to meet the AI moment

Pope Leo XIV’s new encyclical on artificial intelligence includes a statement that warrants serious attention from technologists and policymakers: “Technology is never neutral.” Magnifica Humanitas (“Magnificent Humanity”) is a clarion call to all people to act with courage and solidarity as we enter an age already being transformed by artificial intelligence, the greatest change in human life since the Industrial Revolution. As the pope says, the choice before us—the choice AI presents—is one between the Tower of Babel and the rebuilding of our common humanity. 

In the biblical story of the Tower of Babel, humans sought to build a massive structure that reached all the way to Heaven, only to have their project thwarted when God made those involved unable to understand one another. It was a pursuit fixated on relentless growth, divorced from any concern about God’s commandments or the human cost. It resulted in failure and atomization.

The Book of Nehemiah, however, offers a contrasting narrative, in which the rebuilding of Jerusalem after a period of violence and displacement becomes an opportunity for humanity to show its collaborative resilience. As the encyclical puts it, “The city is reborn, not through the initiative of one man, but through the shared responsibility of all: men, women, priests, artisans, heads of households and young people all play a part. It is an undertaking with God at the center, which rebuilds relationships before rebuilding with stones.” 

Is there any question which road we are currently barreling down? And can there be any doubt which we would do well to walk together? 

We are both Catholics, members of religious communities and longtime advocates within the movement for socially responsible investment. Of particular interest to us and that movement is Pope Leo’s point that AI is not some force of nature or hyperrational, ineffable entity. Instead, he reminds us, AI is ultimately another commercial product, one emerging at a point in history when excessive power over commerce and the wider society has amassed in a vanishingly small number of hands. 

It’s a powerful message. It’s also one that institutional investors have been acting on for years. This encyclical doesn’t break new ground so much as ratify a governance effort that’s already underway, led not by states or international bodies but by shareholders. When governments fail to meaningfully regulate, and corporations cannot be trusted to do what is beneficial beyond their own bottom line, people in society still have the power to set us on the right path, and indeed have the duty to do so. 

Around the world, AI systems are being deployed at scale with remarkably little institutional oversight. There is no AI safety board. The US Federal Trade Commission has jurisdiction over unfair practices but limited authority over algorithmic design. The National Institute of Standards and Technology publishes guidance that most companies ignore. The EU AI Act is partially in force but addresses only a sliver of the deployment surface.

Institutional investors have stepped into this vacuum. Coalitions including the membership of the Interfaith Center on Corporate Responsibility, representing investors managing over $400 billion in assets, have spent the past several proxy seasons filing resolutions demanding transparency, risk assessment, and accountability around AI deployment. Secular institutional investors have joined them, treating AI governance failures as material business risks.

Shareholders have called tech giants including Alphabet, Amazon, Nvidia, Palantir, and Uber to account and demanded that AI not be used for acts of violence or other violations of human rights. The importance of this aspect of corporate governance was highlighted tragically in the opening hours of the war against Iran, when AI was used to help identify targets for thousands of missile strikes that killed hundreds of people.  

Investors have also challenged executives at CVS and UnitedHealth Group to ensure that AI not be used to undermine the well-being of patients and quality of health care across the United States. 

At companies including Meta and Microsoft, shareholders have decried the environmental impact of AI data centers, which consume vast amounts of energy and precious water resources, and in turn can emit large amounts of greenhouse gases. 

Within creative industries, investors have challenged the leadership at companies like Disney, Netflix, and Warner Bros. to demand transparency about the ways they are using AI and to defend the inimitable human element in storytelling. 

Soon, with OpenAI, Anthropic, and Grok all set to enter the public markets, we will be able to exert similar influence over what are now all privately held entities.

These actions by concerned investors not only call out misdeeds but hold fast to an immutable truth: that it is wrong to use technology to kill, harm, or oppress people. Every human being has a right to safe and effective health care and the opportunity to earn a dignified living. The stories we tell each other matter and require the human creative spark. 

Investor advocates hail from a range of faith traditions. Some have no formal religious faith. Yet in their informed and tenacious advocacy, all these people echo the calls embedded within Pope Leo’s encyclical and act on its declaration that “it is essential that the use of AI, especially when it touches on public goods and fundamental rights, be guided by clear criteria and effective oversight.” 

Encyclicals mark time. A century from now, how will we be remembered for how we met this moment? Will we be seen as having been too timid or shortsighted to prevent a small group of unfathomably wealthy and self-interested people from seizing ever greater control over the human family’s shared destiny? 

Or will the years ahead be remembered as a turning point that helped us rebuild our common humanity? Let this be a time when people of good will and diverse talents come together through their own magnificent humanity to build a future that honors our Creator.

Father Séamus Finn, OMI, is a global leader in faith-based and socially responsible investing and a priest of the Oblates of Mary Immaculate, a missionary religious congregation.

Sister Susan Francois is the assistant congregation leader and congregation treasurer for the Sisters of St. Joseph of Peace.

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Séamus Finn, Susan Francois

All 53 Episodes of a Classic Fox Kids Animated Series are Returning to Streaming

Entertainment

If there is one truly great thing about the streaming age of entertainment, it’s that streaming has made it possible for fans old and new to experience and enjoy not just beloved favorites but shows and movies they may never have had a chance to experience otherwise. It’s also helped bring harder to find classics to larger audiences. This is especially true when it comes to beloved animated treasures that, for many, had been relegated to memories of Saturday mornings and after school blocks of the past and now, a late ‘90s animated kids favorite is not only returning to streaming, but doing so for free.

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Hitting Tubi on June 1st are all 53 episodes of The New Woody Woodpecker Show. The New Woody Woodpecker show first debuted on May 8, 1999, and ran until July 27, 2002, as part of Fox’s Fox Kids programming block. The series, an updated version of the iconic The Woody Woodpecker Show from the ‘70s, followed the adventures of the mischievous titular Woody Woodpecker. Each episode was divided into two segments, one starring Woody and various supporting characters such as Winnie Woodpecker and Knothead & Splinter, with the other starring Chilly Willy, a mute penguin in Antarctica who also gets into various hijinks, usually when trying to get food or escape the cold.

The New Woody Woodpecker Show Is a Late ‘90s Classic (And Features Some Familiar Voice Talent)

The New Woody Woodpecker Show is not only a late ‘90s classic when it comes to kids animation, but it also encapsulates the somewhat subversive, and edgy humor elements of the era. One of the things that makes animation from this era so interesting—and contributes to his lasting nostalgia—is that while it was firmly for kids, its revival of vintage characters made the program approachable and enjoyable for all ages. The series also incorporated a bit of more rebellious humor in its modernization of Woody Woodpecker and other characters, which made it as enjoyable for the adults as the kids. Both ages got something from watching the show.

The series also featured some truly impressive and noteworthy vocal cast, something that both lends to the nostalgia of it all today but also speaks to the quality of the show. Billy West, well known for work on Ren & Stimpy and Futurama, voiced Woody, while the always iconic Mark Hamill brought is impressive vocal talent to the sketchy Buzz Buzzard. E.G. Daily, the voice of Buttercup from The Powerpuff Girls and Tommy Pickles on Rugrats gave Knothead, Woody Woodpecker’s nephew, his own distinctive voice.

While the series didn’t necessarily have the longest run during its time as part of Fox’s Fox Kid programming, the series’ return to streaming this June will give older fans a chance to enjoy this delightful piece of their own childhood all over again, and also do what streaming does best: introduce a whole new generation to an all-time classic.

All episodes of The New Woody Woodpecker show hit Tubi on June 1st.

What do you think? Leave a comment below and join the conversation now in the ComicBook Forum!

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Nicole Drum

Nithya Raman Calls on Governor Candidates to Back Uncapped Film Credits

Entertainment

In the final days before the Tuesday election, L.A. Councilwoman Nithya Raman urged candidates for governor on Friday to support uncapped tax incentives for film and TV production.

Raman appeared outside Radford Studios with entertainment figures who support her mayoral campaign, including Mike Schur, Cord Jefferson, and Kay Cannon.

“We must ensure that Hollywood remains a reliable on-ramp into the middle class for Angelenos,” Raman said. “We must protect that before it slips further away.”

The dramatic downturn in Hollywood production has been a key issue in the races for mayor and for governor. Mayor Karen Bass has also called for uncapped state tax credits, has moved in recent months to cut city location fees, and has won the support of three below-the-line Hollywood unions.

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Spencer Pratt, the former reality TV star, has accused his two rivals of failing to do more to stop the decline of industry jobs.

“Notice how Hollywood fell off a cliff IMMEDIATELY after Karen Bass took office?” Pratt said on X on Friday. “If you give her another 4 years, that’ll be a wrap on Hollywood. She will finish the job of killing our city’s golden goose. Vote like your life depends on it, LA. It does.”

Among the top three contenders in the gubernatorial polls, only the Republican, Steve Hilton, has called for unlimited state tax incentives for Hollywood productions.

Xavier Becerra, the leading Democrat in most polls, has said he will increase the $750 million program, but has not pledged to make it unlimited. Rolling out his Hollywood policy last week, Becerra vowed to hold an entertainment summit early in his administration to gather input from stakeholders. Tom Steyer has likewise pledged to expand the program, but has not endorsed an uncapped tax credit.

Among the candidates for governor, only Matt Mahan and Antonio Villaraigosa have pledged to eliminate the cap entirely, though none has said how much that would cost. Raman has not endorsed any of the candidates.

The state’s $750 million tax incentive is set to expire in 2030. On Friday, Raman also urged the candidates for governor to seek an early extension of the program to ensure stability.

She also took a swipe at Pratt for sharing campaign videos generated by AI — a sensitive subject for many in the industry.

“I would say to people who really care about the state of Los Angeles, and to people who care about keeping Hollywood in L.A., I would choose away from the candidate who has relied on sharing AI videos as his primary mode of communication about these issues,” Raman said.

Raman was also asked about a report in L.A. Material that her campaign had reached out to Rae Huang, a candidate to her left, to urge her to drop out and consolidate the Democratic Socialist vote. Raman confirmed that her campaign had had discussions with Huang.

“I think both of us feel very real alarm about the idea that — even if it’s only for the next five months — that we could have Spencer Pratt and millions of dollars fueled by a nationwide MAGA network essentially corroding the civic life of the city,” Raman said. “That to me is something that strikes real fear in my heart, and I think it’s definitely worth figuring out how to achieve the bold positive progressive vision that I have and that she shares for Los Angeles.”

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Gmaddaus

Pragmata, Tomodachi Life, and aros Debut on the Canadian Charts for April 2026

Entertainment

Entertainment Pragmata, Tomodachi Life, and aros Debut on the Canadian Charts for April 2026

by
William D’Angelo
, posted 9 hours ago / 593 Views

Pragmata has debuted in first place on the Canadian charts for April 2026, according to data from Circana (NPD) / retail tracking service of Canada reported by the Entertainment Software Association of Canada.

There were two other new releases in the top 10 for the month with Tomodachi Life: Living the Dream in second place and Saros in fourth place.

Starfield and Diablo IV returned to the top 10 this month in third and fifth places, respectively. 

MLB: The Show 26 dropped four spots to sixth place and Resident Evil Requiem fell six spots to seventh place. Pokémon Pokopia is down three spots to eighth place, Minecraft is up one spot to ninth place, and Call of Duty Black Ops 7 rounds out the top 10.

Top 10 best-selling games in Canada:

  1. Pragmata – NEW
  2. Tomodachi Life: Living the Dream* – NEW
  3. Starfield
  4. Saros – NEW
  5. Diablo IV
  6. MLB: The Show 26
  7. Resident Evil Requiem
  8. Pokémon Pokopia*
  9. Minecraft
  10. Call of Duty Black Ops 7

* Digital sales not included


A life-long and avid gamer, William D’Angelo was first introduced to VGChartz in 2007. After years of supporting the site, he was brought on in 2010 as a junior analyst, working his way up to lead analyst in 2012 and taking over the hardware estimates in 2017. He has expanded his involvement in the gaming community by producing content on his own YouTube channel and Twitch channel. You can follow the author on Bluesky.

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William D’Angelo

IGN Live 2026: How to Watch and What to Expect

Entertainment

IGN Live will take place June 6-7, and you can join us in-person or watch all the biggest moments from home!

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Updated

:

IGN Live 2026 is nearly here, and we’re so excited to present a two-day celebration of gaming and entertainment filled with celebrity panels, exclusive game reveals, trailers, live stage shows, hands-on demos, giveaways, and so much more.

We have so much planned for IGN Live, and we wanted to provide an easy place to keep track of what’s going on and how to watch all the fun. While we’ll be hosting IGN Live in-person in downtown Los Angeles at MAGIC BOX @ THE REEF on June 6-7 (Tickets are still on sale!), we’ll also be livestreaming the biggest moments!

To ensure you don’t miss a thing, you can check out everything you need to know about IGN Live below, and we encourage you to keep checking back as we will add new things (like the full schedule!) when it is revealed closer to the event!

When Is IGN Live 2026?

IGN Live will take place in downtown Los Angeles at MAGIC BOX @ THE REEF on June 6-7, and the event will be livestreamed each day at the following times;

  • Saturday, June 6 at 12pm PT / 3pm ET / 8pm BST
  • Sunday, June 7 at 9:30am PT / 12:30pm ET / 5:30pm BST

How to Watch IGN Live 2026

Whether you join us in person at IGN Live or watch from the comfort of your own home, wherever in the world that may be, here are all the ways you can check out the livestream;

What to Expect From IGN Live 2026

IGN Live 2026 Lineup

We still have our full schedule to release and plenty of fun surprises, but we’ve begun revealing what fans can expect from IGN Live this year! For example, here are a few things we just announced earlier this week;

  • Jackass: Steve-O, Poopies, Jasper, and Wee Man will be live in person at IGN Live
  • Julie Chen Moonves will come by to celebrate the 1000th episode of Big Brother.
  • A special look at the new Jason Universe x Dead by Daylight collaboration.
  • WWE Superstar Bronson Reed will make a special appearance.
  • Plus, IGN Live will include exclusive looks and some major upcoming movies and TV shows including:
    • Supergirl
    • The Vampire Lestat
    • The Walking Dead: Dead City

We’ve also shared some of our partners that will be part of IGN Live, and you can check those out below;

  • Xbox will be on hand with multiple dev interviews and a showcase watch party
  • Webtoon will present a special panel where they design new characters LIVE
  • Poppy Playtime
  • Avatar: The Last Airbender: Series stars Gordon Cormier, Miyako stop by along with Executive Producers Christine Boylan, and Jabbar Raisani stop by to talk about Season 2 of the Netflix show.
  • Control Resonant: Creative Director Mikael Kasurinen will be on hand to share updates on one of this year’s most-anticipated games.
  • Maximum Pleasure Guaranteed: Tatiana Maslany will be on hand to talk about her new show, premiering May 20 on Apple TV.
  • Tomb Raider: Legacy of Atlantis: Alix Wilton Regan stops by to take us behind the scenes of her portrayal of Lara Croft in the upcoming game.
  • Rick and Morty: Ian Cardoni and Harry Belden will join us to talk about the newest season of the fan-favorite Adult Swim series.
  • WWE Superstar Kevin Owens will make a special appearance.
  • Magic: The Gathering: The team from Wizards of the Coast will break down a new series of cards.
  • A special Star Trek 60th Anniversary panel from IDW Comics.
  • Aniimo
  • Aether & Iron
  • Arknights: Endfield
  • Cronos: Lazarus
  • D-topia
  • Demi and the Fractured Dream
  • Diablo Immortal
  • Forever Ago
  • McFarlane Toys
  • Grave Seasons
  • Kick
  • Mexican Ninja
  • Miltisioner
  • My Adventures with Superman
  • New Rockstars vs. IGN –
  • OVER REQUIEMZ
  • Where Birds Sleep
  • Wilderlings: The Lost Spring
  • A Sea of Ashen Tulips
  • Alkahest
  • Astro Burn
  • Bellwright
  • Breathedge 2
  • Bus Simulator 27
  • Carnival Hunt
  • Cast Outs
  • Dogpile
  • Don’t Kill Them All
  • Flock Off!
  • Frog Sqwad
  • Gate Guard Simulator
  • GNAW
  • Into the Dead: Crimson Heights
  • Leaf Blower Co.
  • Maximum Pleasure Guaranteed
  • Poke a Nose
  • Rewilders: The Lost Spring
  • Shark Dentist
  • Smallands 2
  • Soul Walker
  • Tanuki
  • The Death of Robin Hood
  • The Expanse: Osiris Reborn
  • Trench Tales
  • Truck World: Australia
  • Under Canopies
  • Warframe – Jade Shadows: Constellations
  • Warhammer 40,000: Dark Heresy
  • Warhammer 40,000: Rogue Trader
  • Roger Craig Smith (Sonic the Hedgehog, Batman, and more) and Patricia Summersett (Princess Zelda, Zyssyk from Star Wars Outlaws, and others) Gothic Remake from THQ Nordic
  • Assassin’s Creed Black Flag Resynced from Ubisoft
  • The Legend of Vox Machina Season 4 from Critical Role, Titmouse, and Prime Video
  • PowerWash Simulator 2 from from FuturLab
  • Cape Fear from Apple TV
  • Bleach: Thousand-Year Blood War – The Calamity from Fathom and Viz Media
  • The Terror: Devil in Silver from AMC+ and Shudder
  • Sung Kang will be on hand to talk about his new movie Drifter
  • Asif Ali and Saagar Shaikh from Hulu’s Deli Boys will stop by to talk about the show.
  • ID@Xbox will be on hand with multiple playable games.
  • 2K

NVIDIA

The art director of Control Resonant and two guests from NVIDIA will be on stage at IGN Live for a discussion about the game and how it takes advantage of the full range of NVIDIA features, like DLSS 4.5, frame generation, ray reconstruction, path tracing, and more. We’ll chat about how the two sides work together to make games the best they can be, how technical limitations affect the dev process, and where the future of video game graphics is headed.

Presented by NVIDIA

Evil Dead Burn

The latest film in the Evil Dead franchise arrives this summer, and if you think your family reunions are horrific, just wait until you see Evil Dead Burn. From producer Sam Raimi, Evil Dead Burn unleashes the franchise’s most savage and terrifying ride to date, as one family comes together after the death of one of its members. It’s one hell of a family reunion.

Presented by Evil Dead Burn, only in theaters July 10.

What are you most excited about for IGN Live? Let us know below! Until the show kicks off, we’d love you to check out all the biggest moments from IGN Live 2025 to get an idea of what else to expect!

Oh, and we wanted to remind you once more that tickets are still on sale if you want to join us in-person at IGN Live!

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Adam Bankhurst

Canada’s Casino Nova Scotia to Leave Downtown Halifax

Entertainment

Plans to relocate Casino Nova Scotia from Halifax’s waterfront to Dartmouth Crossing are progressing. The Nova Scotia government confirmed it has struck a deal with Great Canadian Entertainment to build a new casino complex in Dartmouth. The company will own and manage the construction, operation, and long-term maintenance of the site, which is expected to open by 2029.

The Old Property Will Be Available for Redevelopment

According to a recent report by The Chronicle Herald, the move has been carefully planned. After years of discussions, Dartmouth Crossing emerged as an obvious choice thanks to its status as a retail and commercial hub located just across the harbour. The area’s highway access, proximity to hotels and a steady stream of foot traffic offer indisputable advantages.

The existing Halifax casino, situated along the waterfront, will remain open during the transition. The province has also begun searching for potential buyers interested in the old property. Licensing conditions ensure that the land can be redeveloped without complications tied to the casino lease. Officials say the sale could take a year to a year and a half, but no final timeline has been set.

Great Canadian Entertainment has already purchased land near the Dartmouth Crossing retail district for the new venue and is now working to secure a local permit. The company and the province, through the Nova Scotia Gaming Corporation, will cover construction and relocation costs and continue to supply gaming equipment.

Dartmouth Crossing Boasts Notable Advantages

Despite the expected benefits, skeptics have questioned how the relocation might affect Halifax’s downtown. The casino has been a fixture on the waterfront for decades, first opening in 1995 before moving into its current standalone building in 2000. Its presence has contributed to the area’s nightlife and tourism economy, attracting locals and visitors.

Officials, however, have downplayed concerns about economic loss, arguing that the location will be highly beneficial for the Halifax Regional Municipality in the long run. They noted that Dartmouth Crossing already attracts visitors from the entire province, making it an obvious choice to sustain or even bolster gaming-related traffic.

The province does not expect this move to disrupt revenue streams. Casino operations in Halifax and Sydney generated more than $40 million last year. These funds are essential for supporting public services like health care and education. Officials say these revenues should remain stable, regardless of where the casino is located.  

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Deyan Dimitrov

KING and Ruaa Kayy team up for Lukkhe song ‘Jee Lenge,’ watch

Music

KING and Ruaa Kayy have come together for the romantic track ‘Jee Lenge’, the latest release from the soundtrack of the upcoming Prime Original series Lukkhe. Unveiled by Prime Video India and Warner Music India on April 24, the song introduces a softer and more intimate mood to the album following the earlier high-energy track ‘Bulletproof.’

music KING and Ruaa Kayy team up for Lukkhe song 'Jee Lenge,' watchKING and Ruaa Kayy team up for Lukkhe song ‘Jee Lenge,’ watch

Composed by KING and Bharg Kale, with music production by Bharg and lyrics penned by KING, ‘Jee Lenge’ reflects a restrained and emotionally layered soundscape. The track has been developed under the guidance of Music Supervisor Mohan Nerkar, who helms the overall soundscape of the series and co-supervised the song alongside Bhavya Anand and Rajrishi Murthi. Together, the collaborators shape a listening experience that highlights vulnerability and emotional connection.

Within the narrative of the series, ‘Jee Lenge’ captures the evolving relationship between Palak Tiwari’s character Sanober and Lakshvir Singh Saran’s character Lucky. The song reflects the comfort two people find in each other during uncertain phases of life. Positioned as a quieter emotional moment within the larger story, the track adds depth to the series’ musical landscape while strengthening its romantic thread.

Directed by Himank Gaur, the series is produced by Vipul D Shah and Rajesh Bahl under the banners of Optimystix Entertainment and White Guerrilla LLP. The show is created and executive produced by Agrim Joshi and Debojit Das Purkayastha.

Lukkhe features Raashii Khanna in a lead role alongside KING, who makes his acting debut with the series. The cast also includes Palak Tiwari in her streaming debut and Lakshvir Singh Saran, along with Nakul Roshan Sahdev, Kritika Bharadwaj, Shivankit Parihar, Yograj Singh and Ayesha Raza in supporting roles.

With ‘Jee Lenge‘ now available across music streaming platforms, the track adds another emotional layer to the build-up ahead of the series’ premiere. Lukkhe is scheduled to stream exclusively in Hindi on Prime Video across India and more than 240 countries and territories worldwide starting May 8, marking the platform’s latest youth-focused original release.

Also Read: King calls ‘Bulletproof’ track a personal milestone ahead of Lukkhe

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The Sounds Behind ZHU’s New Album ‘Black Midas’

Music

He’s aiming for something dark, immersive, and after-hours…

ZHU does things his own way. The San Francisco Bay Area is a true pop voyager, someone who is building their own digital identity.

It’s now a decade on from his debut album ‘Generationwhy’ and he is showing no sign of slowing down, with new album ‘Black Midas’ out today (April 24th).

The material expands on his electronic pop sound, drifting into late-night reverie while absorbing cinematic textures. You can hear aspects of trip-hop in there, with the murky textures adding something distinctive to the project.

Fusing deep house and crisp, melodic techno into the mix, ‘Black Midas’ is one of his most impactful statements yet. With ZHU set to touch down at London’s Roundhouse on July 18th, CLASH caught up with him to discuss the sounds that informed his new album…

Portishead – ‘Dummy’

Adrian Utley’s guitar tones on ‘Glory Box’ is probably one of my favourite dark, moody, and groaning sounds on any record. I love how cinematic it is… The vulnerability of Beth’s voice and the combo of the trip hop production… I can listen to over and over again. I was driving a lot when I was making ‘Black Midas’, and a lot of the drives were long night drives, so yeah… Portishead.

Massive Attack – ‘Mezzanine’

I know my current album is a club record, but I may have to make a trip-hop album next… I would be great at it, since I’ve been bumping Massive Attack for weeks.

Having to record, write, mix, and finish this entire record all out of a moving SPRINTER van, I felt like Bond on a heist… ‘Mezzanine’ definitely added to the feeling of my story.

It allowed me to tap into the melancholy and power at the same time. Angel’s got to be an all time great.

Sade – ‘Love Deluxe’

I mean, the voice, the groove. This record is as warm as a mother’s hug after a long day. It’s more comforting than a bowl of spicy rigatoni after being trapped in a winter blizzard.

The writing, arrangement, mix is all very simple and elegant. Less is more.

Faithless – ‘Sunday 8pm’

Dance music rarely tells a story these days. Maxi Jazz has got a message tho. I guess that’s why people don’t really listen to too many electronic albums… Stories have to start coming back into the music for people to care. This album gave me a reason to want to add story to the music. The why. The reason. 

Groove Armada – ‘Goodbye Country (Hello Nightclub)’

Vibes. Sometimes people don’t need to talk so much. When music has a good groove, people shut the fuck up.

Photo Credit: Jaxon Whittington

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