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<\/figure>\n<\/div>\nEx Global Defends His Music Career Record Amid Nota\u2019s Sharp Criticism. In the ever-volatile world of South African hip-hop, old wounds from The Wrecking Crew era have reopened. Veteran voice Nota launched a pointed attack on former group affiliate Ex Global, claiming the collective\u2019s decision to align with A-Reece came at the expense of untapped talent that simply did not measure up. <\/strong><\/p>\n Speaking candidly, Nota argued that South African hip-hop never abandoned real skill. He suggested A-Reece chose not to elevate certain associates, leading to the fade of their careers. \u201cThose guys aren\u2019t talented,\u201d Nota stated bluntly. <\/p>\n He challenged listeners to name even one standout track from Ex Global\u2019s catalogue that carries nostalgia or personal significance, insisting none exist. \u201cWe never left any talent behind,\u201d he added, dismissing calls for renewed airplay on platforms like TWC or elsewhere. <\/p>\n The remarks, delivered during a recent discussion, framed the split as a merit-based reality check rather than betrayal. Nota positioned the broader scene as one that rewards substance, not forced inclusion. <\/p>\n Ex Global, however, fired back with a detailed timeline of his own accomplishments, pushing back against the narrative that his visibility stemmed solely from joining forces with A-Reece. Before linking with the Pretoria rapper and The Wrecking Crew, Ex Global built a multifaceted resume. <\/p>\n Thagki is 100% right about everything. To answer Nota\u2026 Before Reece, I was Ex from Perplexed, solo hip hop champion, Twitch, represented SA in Las Vegas in the top 20 out of 130 countries, Running with the reps reality show, Big Brother Mzansi R100k winner, on every major TV\u2026 https:\/\/t.co\/zBD3qtEVmQ<\/a><\/p>\n \u2014 Ex Global (@mansbusy_) April 15, 2026<\/a><\/p><\/blockquote>\n<\/div>\n<\/figure>\n He performed as Ex from Perplexed, claimed a solo hip-hop championship title, competed on Twitch, and represented South Africa in Las Vegas, finishing in the top 20 out of 130 countries. Reality television stints included Running with the Reps and a R100,000 victory on Big Brother Mzansi. Major interviews across TV and radio, successful event promotion, and consistent music video releases rounded out his pre-TWC profile. <\/p>\n \u201cTo answer Nota,\u201d Ex Global responded, \u201cif Nota is right, why hasn\u2019t Reece had a bigger commercial hit than anything he made with us?\u201d He pointed to the period from 2017 to 2021 and the impact of A-Reece\u2019s 2021 project Today\u2019s Tragedy, Tomorrow\u2019s Memory<\/em> (TTTM), asking for specifics on superior solo output since then. Ex Global<\/a> also addressed interpersonal tensions, noting he had visited A-Reece\u2019s home for a birthday celebration, only for subsequent releases like Blue Tape to include indirect shots at former associates. <\/p>\n He recounted a specific falling-out: after expressing in a planned Milly video that only the core group could revive authentic hip-hop due to their shared understanding of the sound, he was reportedly sidelined for maintaining a friendship with Mash. Rather than dwell, Ex Global said he focused on his solo path and continued moving forward.<\/p>\n The exchange highlights deeper fractures within The Wrecking Crew, which A-Reece helped form in 2017 alongside producer Mashbeatz and others after parting ways with Ambitiouz Entertainment. Early departures due to financial disagreements set a tone of instability that has echoed in public discourse years later. <\/p>\n Nota and Ex Global\u2019s clash arrives amid ongoing debates about legacy, loyalty, and commercial success in Mzansi rap. A-Reece maintains a dedicated following with projects like Reece Effect<\/em> and TTTM<\/em> still resonating strongly on streaming charts. Ex Global continues to reference his independent grind and pre-group achievements as proof of self-made stature.<\/p>\n As the conversation unfolds across social platforms and interviews, fans are left dissecting the merits of each side. In an industry built on competitive spirit and raw storytelling, this latest chapter underscores a familiar truth: hip-hop rarely lets sleeping dogs lie, especially when the stakes involve credit, history, and the streets that shaped the sound. <\/p>\n<\/p><\/div>\n![](\"https:\/\/sahiphopmag.co.za\/wp-content\/uploads\/2024\/02\/Ex-Global-4.png\")
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