{"id":902144,"date":"2026-04-28T03:36:18","date_gmt":"2026-04-28T08:36:18","guid":{"rendered":"https:\/\/newsycanuse.com\/index.php\/2026\/04\/28\/sb19s-wakas-at-simula-album-all-24-tracks-ranked\/"},"modified":"2026-04-28T03:36:18","modified_gmt":"2026-04-28T08:36:18","slug":"sb19s-wakas-at-simula-album-all-24-tracks-ranked","status":"publish","type":"post","link":"https:\/\/newsycanuse.com\/index.php\/2026\/04\/28\/sb19s-wakas-at-simula-album-all-24-tracks-ranked\/","title":{"rendered":"SB19\u2019s \u2018Wakas At Simula\u2019 Album: All 24 Tracks\u00a0Ranked"},"content":{"rendered":"<p>Music <\/p>\n<div id=\"post-1236210361\">\n<header>\n<p>From breakout singles like &#8220;GENTO&#8221; and &#8220;DAM&#8221; to new collaborations with top Asian talent, the Filipino boy group&#8217;s LP is a musical marker of their last five years.<\/p>\n<p><time datetime=\"2019-09-03\"><br \/>\n\t4\/3\/2026<br \/>\n<\/time>\n\t<\/p>\n<div>\n<figure>\n<div>\n<p><img src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/03\/sb19-2026-credit-Louis-Anthony-Duran-billboard-1800.jpg?w=942&#038;h=628&#038;crop=1\" alt=\"music SB19\"   height width decoding=\"async\"><\/p>\n<\/p><\/div><figcaption>\n<p><span class>SB19<\/span><\/p>\n<p>\t\t\t\t\t\t\t\t\t<cite>Louis Anthony Duran<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<\/header>\n<div>\n<p>\n\tThere is a specific sense of accomplishment and freedom that comes from an artist owning their work. For <a href=\"https:\/\/www.billboard.com\/music\/sb19\">SB19<\/a>, that liberation came through their self-established, self-managed company. When Pablo, Josh, Stell, Ken and Justin established 1Z Entertainment in the years following their international breakout, it was clear the group wanted to ensure they were in control of their destiny and telling their own story.<\/p>\n<p>\n\t<em>Wakas At Simula<\/em> \u2014 which translates to \u201cEnd and Beginning\u201d in Filipino \u2014 is the fullest expression of what that independence actually sounds like. Across 24 tracks, the quintet weave together their trilogy of six-song EPs \u2014 2021\u2019s <em>Pagsibol<\/em>, 2023\u2019s <em>PAGTATAG! <\/em>and <em>Simula at Wakas<\/em> from last year \u2014 alongside six newly recorded tracks, creating a comprehensive documentation for one of the most remarkable stories in modern Asian pop.<\/p>\n<p>\n\tIn particular, the <em>Pagsibol<\/em> material returns in re-recorded forms, with those six songs labeled as new \u201cWakas At Simula\u201d versions \u2014 an official statement noting that the songs\u2019 changes reflect \u201cpersonal experiences.\u201d But perhaps most importantly, these defining songs are now official releases under SB19\u2019s own label.<\/p>\n<p>\n\tWhile SB19 made major strides throughout these three EPs, the six new tracks including the politically charged single \u201cVISA,\u201d plus cross-cultural collaborations with the likes of <a href=\"https:\/\/www.billboard.com\/charts\/japan-hot-100\/\">Japan Hot 100<\/a> chart-toppers BE:FIRST and one of Asia\u2019s top pop divas <a href=\"https:\/\/www.billboard.com\/artist\/jolin-tsai\/\">JOLIN<\/a>, mark some of the group\u2019s best work yet and indicate a boldness for where they can go in the future.<\/p>\n<p>\n\tWith SB19\u2019s upcoming festival debut at Lollapalooza (the first P-pop group to earn a spot at the massive Chicago fest) and a slot at Japan\u2019s Summer Sonic (joining a lineup including the Strokes, FKA Twigs and BLACKPINK\u2019s JENNIE), the five stars are actively pushing the Philippines\u2019 pop music to the global stage with this LP acting as an important history marker. Yes, it\u2019s the end of a long-running musical series, but it\u2019s also the beginning of inevitably bigger things.<\/p>\n<p>\n\tTo celebrate the momentous chapter, here\u2019s <em>Billboard<\/em>\u2018s ranking of all 24 tracks from <em>Wakas At Simula<\/em>.<\/p>\n<figure><\/figure>\n<div id=\"pmc-gallery-vertical\">\n<ul>\n<li>\n<h2>Music \u201cSLMT (Wakas At Simula)\u201d<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" alt=\"music SB19\"   data-old-src=\"https:\/\/www.billboard.com\/wp-content\/themes\/vip\/pmc-billboard-2021\/assets\/public\/lazyload-fallback.gif\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/02\/SB19-cr-1Z-Entertainment-Sony-Music-Philippines-billboard-1548.jpg?w=300\" srcset=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/02\/SB19-cr-1Z-Entertainment-Sony-Music-Philippines-billboard-1548.jpg 1548w, https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/02\/SB19-cr-1Z-Entertainment-Sony-Music-Philippines-billboard-1548.jpg?resize=300,198 300w, https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/02\/SB19-cr-1Z-Entertainment-Sony-Music-Philippines-billboard-1548.jpg?resize=942,623 942w\"><figcaption>\n\t\t\t\t\tImage Credit: 1Z Entertainment \/ Sony Music Philippines\t\t\t\t<\/figcaption><\/figure>\n<p>\n\t\u201cSLMT\u201d is a phonetic rendering of \u201csalamat,\u201d the Filipino word for \u201cthank you.\u201d It\u2019s the final track to have a \u201cWakas At Simula\u201d version on this full-length LP \u2014 and it feels fully appropriate as the warm, fan-dedicated track doubles as a way to thank their A\u2019TIN for trusting them as the guys navigated setting up their own independently run company in 1Z Entertainment.<\/p>\n<\/li>\n<li>\n<h2>Music \u201cIkako (Wakas At Simula)\u201d<\/h2>\n<p>\n\tLoose, joyful and unguarded, this cut sounds like SB19 caught at their most playful \u2014 best heard in the song\u2019s outro, where you hear the members jamming and ad-libbing freely. Undoubtedly, one of the set\u2019s most endearing tracks.<\/p>\n<\/li>\n<li>\n<h2>Music \u201cILAW\u201d<\/h2>\n<p>\n\tStripped back to acoustic guitar and subtle instrumentation, \u201cILAW\u201d is a showcase of what SB19\u2019s voices can do when the production steps aside and lets them breathe. They carry it entirely, marking some of the album\u2019s quietest moments and a special gem among the 24 tracks of <em>Wakas At Simula<\/em>.<\/p>\n<\/li>\n<li>\n<h2>Music \u201cFREEDOM\u201d<\/h2>\n<div>\n<p>\n\tAn undeniable rush of energy, \u201cFREEDOM\u201d doesn\u2019t overcomplicate things with a fun house-inspired beat that goes off because it\u2019s kept simple and clean.<\/p>\n<p>\n\tThe closing track to <em>PAGTATAG!<\/em>, SB19\u2019s first album as independent artists under 1Z Entertainment, \u201cFREEDOM,\u201d feels like it doubles as a statement of joy and accomplishment, delivering a weightless atmosphere hard to manufacture artificially.<\/p>\n<\/div>\n<\/li>\n<li>\n<h2>Music \u201cLIHAM\u201d<\/h2>\n<p>\n\tA literal love letter written by SB19 leader Pablo \u2014 \u201cliham\u201d is Filipino for \u201cletter\u201d \u2014 this track carries an intimacy despite the classic, power-pop production and powerhouse vocals. While much of <em>Wakas at Simula<\/em> has messages aimed at the world, \u201cLIHAM\u201d turns more inward with a vulnerability that still beautifully suits the SB19 guys.<\/p>\n<\/li>\n<li>\n<h2>Music \u201cBazinga (Wakas At Simula)\u201d<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" alt=\"music Pablo, Stell, Ken, Justin, and Josh of boy group SB19 attend the 2023 Asia Artist Awards at the Philippine Arena on December 14, 2023 in Bulacan, Philippines.\"   data-old-src=\"https:\/\/www.billboard.com\/wp-content\/themes\/vip\/pmc-billboard-2021\/assets\/public\/lazyload-fallback.gif\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/08\/sb19-asia-artist-awards-2023-billboard-1800.jpg?w=300\" srcset=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/08\/sb19-asia-artist-awards-2023-billboard-1800.jpg 1200w, https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/08\/sb19-asia-artist-awards-2023-billboard-1800.jpg?resize=300,200 300w, https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/08\/sb19-asia-artist-awards-2023-billboard-1800.jpg?resize=681,454 681w\"><figcaption>\n\t\t\t\t\tImage Credit: Ezra Acayan\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<div>\n<p>\n\tBoasting the kind of aggressive, high-energy flex that exists to be performed in the biggest venues possible, \u201cBazinga!\u201d flips from an emotional opening (\u201cEvery day, I think the load gets heavy \/ Throw it away, the world unloads hostility\u201d) before a \u201cpsyche!\u201d flip and the guys go into boast mode: \u201cYeah, I\u2019m fire, I linger\/ Dare you to turn up the heat.\u201d<\/p>\n<p>\n\tFierce, fun, built to command the growing crowds SB19 is continuously commanding at festivals like their upcoming Lollapalooza 2026 slot and more to certainly come.<\/p>\n<\/div>\n<\/li>\n<li>\n<h2>Music \u201cTime\u201d<\/h2>\n<div>\n<p>\n\tArguably one of SB19\u2019s most personal tracks, the start-stop production gives each chorus an extra emotional weight with every belt hitting harder thanks to the arrangement.<\/p>\n<p>\n\tLyrically, \u201cTime\u201d grapples with the cost of chasing one\u2019s dreams, sentiments that have an added gravity when you consider SB19\u2019s own timeline. The group has been candid about the fact that they weren\u2019t particularly young when their careers finally began to gain real momentum \u2014 with nearly all five members now in their thirties, a song about running out of time stops being metaphor and starts feeling all the more confessional. Stell delivers the first chorus with clear impact, sounding both urgent and forgiving as he sings, \u201cMany things we can\u2019t control, I hope you know, it\u2019s better to try.\u201d<\/p>\n<p>\n\t(And don\u2019t worry, guys \u2014 you still have lots of time to take over the world)<\/p>\n<\/div>\n<\/li>\n<li>\n<h2>Music \u201cMemories\u201d<\/h2>\n<div>\n<p>\n\tA lighter, feel-good hip-hop\/pop cut that feels like it took inspiration from the K-pop scene \u2014 perhaps influenced by SB19\u2019s Pablo creatively collaborating on the track with producer Alwan and songwriter Rasmus Palmgren, whose credits include SHINee, ITZY, aespa, IVE, CRAVITY and more.<\/p>\n<p>\n\tWhile the album cut is not as instantly gripping as the singles, the track elevates itself by refusing to fall back on the easy EDM build-up and dance breakdown song structure, with the guys delivering one of their best and most uplifting choruses over the storm of surging synthesizers.<\/p>\n<\/div>\n<\/li>\n<li>\n<h2>Music \u201cI WANT YOU\u201d<\/h2>\n<p>\n\tWritten by Filipino-Canadian songwriter August Rigo (whose credits include Musiq Soulchild, Kehlani and BTS), \u201cI WANT YOU\u201d reveals SB19 at their most sensual. The quintet\u2019s vocals take center stage for an unhurried, moving performance. Nearly three years after its release, the track remains one of the group\u2019s standout and most mature releases, a lasting reminder of the polish they bring as vocalists.<\/p>\n<\/li>\n<li>\n<h2>Music \u201cEmoji\u201d With JOLIN<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" alt=\"music SB19\"   data-old-src=\"https:\/\/www.billboard.com\/wp-content\/themes\/vip\/pmc-billboard-2021\/assets\/public\/lazyload-fallback.gif\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/03\/sb19-2026-credit-sony-music-entertainment-billboard-1800.jpg?w=300\" srcset=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/03\/sb19-2026-credit-sony-music-entertainment-billboard-1800.jpg 1800w, https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/03\/sb19-2026-credit-sony-music-entertainment-billboard-1800.jpg?resize=300,200 300w, https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/03\/sb19-2026-credit-sony-music-entertainment-billboard-1800.jpg?resize=681,454 681w\"><figcaption>\n\t\t\t\t\tImage Credit: Sony Music Entertainment\t\t\t\t<\/figcaption><\/figure>\n<p>\n\tThe album\u2019s most conceptually unexpected output, \u201cEmoji\u201d sees JOLIN \u2014 a.k.a. Jolin Tsai, who has spent 25 years as one of Asia\u2019s undisputed pop queens \u2014 stepping into SB19\u2019s kinetic world in a fascinating collision of music universes. The results don\u2019t fully cohere into either artist\u2019s most definitive musical statement, but this special, cultural bridge between two of Asia\u2019s representative superstars is an important moment on the record.<\/p>\n<\/li>\n<li>\n<h2>Music \u201cQuit\u201d<\/h2>\n<div>\n<p>\n\tThe kind of curveball track that pays off, \u201cQuit\u201d was crafted by Pablo and Ken (who\u2019s officially credited under his solo artist name Felip) and finds SB19 leaning hard into grungy, punk-rock terrain. The group\u2019s signature emotive and passionate styling remains intact with the racing rock production only amplifying the delivery. Even when the trap beat enters the second chorus, it\u2019s a reminder that the group isn\u2019t abandoning who they are, but is always able to expand their sound.<\/p>\n<div>\n<p>\n\tIt\u2019s not an obvious crossover or radio hit, but perhaps that\u2019s exactly the point.<\/p>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<h2>Music \u201c8TonBall\u201d<\/h2>\n<div>\n<p>\n\t\u201c8TonBall\u201d is one of the rare SB19 tracks that doesn\u2019t carry leader Pablo\u2019s name in the credits with eldest member Josh Cullen stepping into the driver\u2019s seat as the sole lyricist, teaming with Alwan and Benji Bae on the production. The result is one of the sharpest, most confident moments on <em>Simula at Wakas<\/em>.<\/p>\n<p>\n\tLooking at the context of the group\u2019s career, \u201c8TonBall\u201d also marks the larger creative partnership with Alwan, who crafted new tracks \u201cMemories\u201d and \u201cToyfriend\u201d for this LP, making \u201c8TonBall\u201d an important marker for building a creative team they can grow and evolve alongside.<\/p>\n<\/div>\n<\/li>\n<li>\n<h2>Music \u201cDAM\u201d<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" alt=\"music SB19\"   data-old-src=\"https:\/\/www.billboard.com\/wp-content\/themes\/vip\/pmc-billboard-2021\/assets\/public\/lazyload-fallback.gif\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2022\/09\/SB19-cr-Shaira-Luna-2022-billboard-1548.jpg?w=300\" srcset=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2022\/09\/SB19-cr-Shaira-Luna-2022-billboard-1548.jpg 1548w, https:\/\/www.billboard.com\/wp-content\/uploads\/2022\/09\/SB19-cr-Shaira-Luna-2022-billboard-1548.jpg?resize=300,198 300w, https:\/\/www.billboard.com\/wp-content\/uploads\/2022\/09\/SB19-cr-Shaira-Luna-2022-billboard-1548.jpg?resize=942,623 942w\"><figcaption>\n\t\t\t\t\tImage Credit: Shaira Luna\t\t\t\t<\/figcaption><\/figure>\n<div>\n<p>\n\tThe song that secured SB19\u2019s chart history, \u201cDAM,\u201d debuted at No. 1 on <em>Billboard<\/em>\u2018s <a href=\"https:\/\/www.billboard.com\/charts\/world-digital-song-sales\/\">World Digital Song Sales chart<\/a> in March 2025, and the guys became the first P-pop act ever to top the tally \u2014 an undeniable milestone marking SB19\u2019s expanding global reach.<\/p>\n<p>\n\tThe track more than earned its moment: \u201cDAM\u201d is a hard-hitting anthem about resilience and staying true to one\u2019s values, refining SB19\u2019s signature tension by juxtaposing lighter pop polish with intense grit into one of their tightest singles yet. Justin\u2019s battle-cry vocals across the bridge see the group\u2019s youngest member sounding his most uninhibited, making for a particular sonic standout.<\/p>\n<\/div>\n<\/li>\n<li>\n<h2>Music \u201cShooting for the Stars\u201d<\/h2>\n<div>\n<p>\n\tWhen SB19 chased a more international pop breakthrough with the English-language disco single \u201cWYAT (Where You At),\u201d the results were well-intentioned but ultimately inconclusive \u2014 the song never quite fit into any of their EPs and sits notably absent from <em>Wakas At Simula<\/em>.<\/p>\n<p>\n\tInstead, \u201cShooting for the Stars\u201d feels like the lessons learned from \u201cWYAT\u201d applied to new material. A second collaboration with August Rigo, the cut reaches for a similarly buoyant energy, but this time it sounds unmistakably like SB19. The guys move effortlessly through a chorus that shifts from big-time belts to airy falsetto with the lyrics carrying the kind of hard-won attitude the group has earned the right to sing: \u201cFeeling like I can fly and I\u2019m calling out to my spirit\/ I saw the light in the distance, I found that one in a million\/ I held on to my sanity \u2018cos I really thought I might lose\/ Got to hold of my destiny when I realized I could choose it.\u201d<\/p>\n<div>\n<p>\n\tIf \u201cWYAT\u201d felt like an experiment to reach mass appeal, \u201cShooting for the Stars\u201d sounds like Rigo taking the sentiment and leaning more closely into who SB19 already are for a fully formed song.<\/p>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<h2>Music \u201cMana (Wakas At Simula)\u201d<\/h2>\n<p>\n\tOriginally a B-side on 2021\u2019s <em>Pagsibol<\/em>, the new version of \u201cMana\u201d keeps its intriguing sense of restlessness but still sounds as if it\u2019s searching for its final, full form. Still, the bones are strong enough \u2014 particularly as the chorus keeps building before the unexpectedly glitchy, electro-pop breakdown \u2014 for it to stand strong on this album.<\/p>\n<\/li>\n<li>\n<h2>Music \u201cWhat? (Wakas At Simula)\u201d<\/h2>\n<p>\n\tThe marching, anthemic energy that made the original a standout on 2021\u2019s <em>Pagsibol<\/em> is fully intact, and the extended outro gives it a newfound sense of ceremony and rite. Re-recorded with obvious purpose, it remains one of their most powerful statements \u2014 and bigger now in every sense.<\/p>\n<\/li>\n<li>\n<h2>Music \u201cDUNGKA!\u201d<\/h2>\n<div>\n<p>\n\tWhile it wasn\u2019t the lead single from the 2025 EP <em>Simula at Wakas<\/em>, \u201cDUNGKA!\u201d is one of SB19\u2019s most galvanizing moments. A diss track aimed at detractors, \u201cDUNGKA!\u201d uses Filipino wordplay \u2014 \u201cdoon ka,\u201d which translates to \u201cgo over there\u201d \u2014 to deliver a catchy, clever dismissal. Bringing in elements of techno, hyperpop and rave, the unapologetic anthem reached No. 7 on World Digital Song Sales.<\/p>\n<p>\n\tFor a group that spent years absorbing criticism and skepticism about whether they \u2014 or the Philippines in general \u2014 could see its music break beyond its borders, there is a certain satisfaction embedded in \u201cDUNGKA!\u201d And the fact that it sounds this fun feels like the whole point.<\/p>\n<\/div>\n<\/li>\n<li>\n<h2>Music \u201cCRIMZONE\u201d<\/h2>\n<p>\n\tFew tracks in SB19\u2019s catalog hit with the same force as \u201cCRIMZONE.\u201d A showcase of what the quintet can do when they lean all the way into hard-hitting sonics, the track makes the case \u2014 loudly \u2014 that P-pop can go as heavy as any of its global-pop peers.<\/p>\n<\/li>\n<li>\n<h2>Music \u201cEverblack\u201d<\/h2>\n<p>\n\tAn intoxicating blend of sleazed-up hip-hop and R&#038;B, \u201cEverblack\u201d sees SB19 stepping into their Jay-Z and Usher bag \u2014 and the results are slick and <em>sick<\/em>. The track makes us wonder what a dark hip-hop and R&#038;B cut where SB19 teams up with a producer like Polow da Don or Mustard would sound like. Probably not too far off from \u201cEverblack.\u201d<\/p>\n<\/li>\n<li>\n<h2>Music \u201cToyfriend\u201d With BE:FIRST<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" alt=\"music BE:FIRST\"   data-old-src=\"https:\/\/www.billboard.com\/wp-content\/themes\/vip\/pmc-billboard-2021\/assets\/public\/lazyload-fallback.gif\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/03\/BEFIRST.jpg?w=300\" srcset=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/03\/BEFIRST.jpg 1548w, https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/03\/BEFIRST.jpg?resize=300,198 300w, https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/03\/BEFIRST.jpg?resize=942,623 942w\"><figcaption>\n\t\t\t\t\tImage Credit: Courtesy Photo\t\t\t\t<\/figcaption><\/figure>\n<p>\n\tJust like SB19, BE:FIRST is another promising and rising boy group aiming to break onto the global stage and represent their country, Japan, in the mainstream-music conversation. A collaboration of J-pop and P-pop, \u201cToyfriend\u201d feels like it brings out the best of both boy bands, with a track that has a real sense of cool, ease, and warmth, making it a simple feel-good pop track.<\/p>\n<\/li>\n<li>\n<h2>Music \u201cVISA\u201d<\/h2>\n<div>\n<p>\n\tA deceivingly simple dance track that tackles the political reality of the Philippines\u2019 weak passport. While political bureaucracy is a topic many people around the world can relate to, it becomes all the more personal with SB19. This group aims to be artists and cultural ambassadors for their country, but can find themselves held back by arbitrary things like visas.<\/p>\n<p>\n\tThe lyrics also see the guys shout out other celebrities with Filipino backgrounds like Bruno Mars, Olivia Rodrigo, Manny Jacinto, Dave Bautista, and more \u2014 a true declaration of how big SB19\u2019s ambitions are and where they aim to land among Hollywood stars.<\/p>\n<\/div>\n<\/li>\n<li>\n<h2>Music \u201cGENTO\u201d<\/h2>\n<div>\n<p>\n\tThe song that broke SB19 into a new tier of international recognition. Swaggering and uniquely theirs, \u201cGENTO\u201d was written solely by leader Pablo, the title combining the Filipino words \u201cginto\u201d (gold) and \u201cganito\u201d (which means \u201clike this\u201d) for a treasure all of their own making.<\/p>\n<p>\n\tThe production palette is daring, and one that few acts would dare attempt with a highlight in the unexpected flute-laced outro, but the \u201cGENTO\u201d dance challenge was attempted by some of Asia and Europe\u2019s biggest names in pop including 2NE1, ATEEZ, ENHYPEN, &#038;TEAM, Kep1er, WATWING, Archen Aydin, ZEROBASEONE, UNiFY, THE BOYZ, OCTPATH and more, while also getting co-signs by big-time choreographers like Aiki and <em>America\u2019s Best Dance Crew <\/em>alum Chachi Gonzales.<\/p>\n<p>\n\tIt was the group\u2019s first Billboard World Digital Song Sales chart entry, debuting and peaking at No. 8 in June 2023 \u2014 an important landmark that marked an upward trajectory that followed the group.<\/p>\n<\/div>\n<\/li>\n<li>\n<h2>Music \u201cMAPA (Wakas At Simula)\u201d<\/h2>\n<div>\n<p>\n\tRe-recorded with the lived-in confidence of a group that has since spent years proving every word of it, \u201cMAPA\u201d remains one of SB19\u2019s most defining moments. Interestingly, the group opted to shorten the original track by nearly 30 seconds, yet if anything, the message is now tighter and clearer.<\/p>\n<p>\n\tA tribute to parental sacrifice that became a genuine anthem for all listeners, it\u2019s the rare pop song that only gets more resonant with time. Still and forever an SB19 essential, it still hits the same, almost five years later, and continues to feel like a song meant only to be sung by these five singers.<\/p>\n<\/div>\n<\/li>\n<li>\n<h2>Music \u201cWakas\u201d<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" alt=\"music SB19\"   data-old-src=\"https:\/\/www.billboard.com\/wp-content\/themes\/vip\/pmc-billboard-2021\/assets\/public\/lazyload-fallback.gif\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/08\/SB19-cr-Louis-Anthony-Duran-2025-billboard-1800.jpg?w=300\" srcset=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/08\/SB19-cr-Louis-Anthony-Duran-2025-billboard-1800.jpg 1800w, https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/08\/SB19-cr-Louis-Anthony-Duran-2025-billboard-1800.jpg?resize=300,200 300w, https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/08\/SB19-cr-Louis-Anthony-Duran-2025-billboard-1800.jpg?resize=681,454 681w\"><figcaption>\n\t\t\t\t\tImage Credit: Louis Anthony Duran\t\t\t\t<\/figcaption><\/figure>\n<div>\n<p>\n\tThe title track earns its place as the best song on the album, not just for its stunning production and structure, but also for its depth of emotion. A lush, unhurried ballad with Bruno Mars-adjacent warmth in its verses, \u201cWakas\u201d reveals a deeper depth the moment the group\u2019s harmonies arrive and the full weight of the song settles in with the listener.<\/p>\n<p>\n\tPablo\u2019s tender songwriting is at its strongest here, with fans interpreting the song as a message from the group asking them to stay on SB19\u2019s journey. Others have equated it with more universal experiences, such as a personal letdown, relationships, grief, or the weariness that comes from letting go of one\u2019s dream. The lyrics ask big questions, resist fully answering them, and instead allow space for reflection. Even if one doesn\u2019t speak the language, there is still something powerful and introspective that draws the listener in, with the song\u2019s impact deepening as one looks into the lyrics.<\/p>\n<p>\n\tThe song to anchor an album called <em>Wakas At Simula<\/em> \u2014 or, <em>End and Beginning \u2014 <\/em>\u201cWakas\u201d is SB19\u2019s understanding and emphasis that the most honest thing you can say about an ending is recognizing all it contains as well as all the promise it holds. \u201cWakas\u201d brings all of that together at once, and the group sings it like they mean every version, iteration, and interpretation one can consider. It\u2019s the type of track that might mark the end of something, but indicates more promise and hope for the future.<\/p>\n<\/div>\n<\/li>\n<\/ul><\/div>\n<\/div>\n<div>\n<p>\t<a href=\"https:\/\/www.billboard.com\/\" title=\"Billboard\"><br \/>\n\t\t<svg style=\"height:100%;width:100%\" viewBox=\"0 0 455.133 94.711\"><path d=\"M70.107 28.859h21.318V93.69H70.107zM95.834 3.51h21.312v90.18H95.834zm25.723 0h21.312v90.18h-21.312zm250.711 32.035v-6.686h-21.315V93.69h21.315V62.792c0-7.949 4.154-12.237 11.728-12.237h2.522V28.229c-6.432.253-11.1 2.271-14.25 7.316M80.764 0c-6.822 0-12.359 5.535-12.359 12.361s5.537 12.363 12.359 12.363c6.828 0 12.361-5.537 12.361-12.363S87.592 0 80.764 0m244.457 33.795c-2.996-3.268-9.967-5.965-15.26-5.965-16.098 0-27.646 10.613-30.473 26.389-3.082-15.135-16.273-26.78-32.359-26.78-16.24 0-29.537 11.781-32.444 27.2-2.822-16.026-15.428-26.648-31.061-26.648-5.801 0-10.596 1.262-14.76 4.16V3.521h-21.312V93.7h20.938v-5.93c5.045 4.668 10.467 6.812 17.154 6.812 14.398 0 26.52-11.271 29.113-26.807 3.055 15.203 16.169 26.76 32.373 26.76 16.065 0 28.949-11.312 32.228-26.125 2.711 16.18 15.531 26.301 30.854 26.301 5.293 0 11.099-1.771 15.009-4.668V93.7h21.312V65.327q.002-1.745-.031-3.406.033-1.66.031-3.405V28.969h-21.312zM181.355 73.948c-6.826 0-12.359-5.535-12.359-12.363 0-6.824 5.533-12.358 12.359-12.358 6.824 0 12.359 5.534 12.359 12.358.001 6.828-5.534 12.363-12.359 12.363m65.774-.99c-6.822 0-12.361-5.539-12.361-12.363s5.539-12.358 12.361-12.358c6.824 0 12.359 5.535 12.359 12.358.001 6.823-5.532 12.363-12.359 12.363m64.047.392c-6.826 0-12.354-5.539-12.354-12.363s5.527-12.358 12.354-12.358c6.832 0 12.359 5.535 12.359 12.358.001 6.824-5.527 12.363-12.359 12.363M433.815 3.5v28.631c-4.156-2.9-8.949-4.16-14.757-4.16-17.782 0-31.654 13.746-31.654 33.55 0 18.664 13.368 33.043 29.642 33.043 6.68 0 12.103-2.146 17.152-6.811v5.928h20.938V3.5zm-12.553 70.288c-6.817 0-12.354-5.539-12.354-12.358 0-6.828 5.535-12.365 12.354-12.365 6.828 0 12.363 5.537 12.363 12.365 0 6.819-5.535 12.358-12.363 12.358M36.072 27.99c-5.803 0-10.594 1.262-14.76 4.16V3.521H0V93.7h20.936v-5.93c5.045 4.668 10.469 6.812 17.156 6.812 16.268 0 29.637-14.383 29.637-33.047 0-19.797-13.874-33.545-31.657-33.545m-2.269 45.958c-6.824 0-12.359-5.535-12.359-12.363 0-6.824 5.535-12.358 12.359-12.358 6.826 0 12.359 5.534 12.359 12.358 0 6.828-5.533 12.363-12.359 12.363\" \/><\/svg>\t\t<span><\/span><br \/>\n\t<\/a><\/p>\n<p>Get weekly rundowns straight to your inbox<\/p>\n<p><a href=\"https:\/\/cloud.email.billboard.com\/signup\/\" rel=\"noopener noreferrer\"><br \/>\n\tSign Up<\/a>\n<\/p>\n<\/div><\/div>\n<p><a href=\"https:\/\/www.billboard.com\/lists\/sb19-wakas-at-simula-album-review-tracks-ranked\/\" class=\"button purchase\" rel=\"nofollow noopener\" target=\"_blank\">Read More<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Music From breakout singles like &#8220;GENTO&#8221; and &#8220;DAM&#8221; to new collaborations with top Asian talent, the Filipino boy group&#8217;s LP is a musical marker of their last five years. 4\/3\/2026 SB19 Louis Anthony Duran There is a specific sense of accomplishment and freedom that comes from an artist owning their work. For SB19, that liberation [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":902145,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[131522],"class_list":{"0":"post-902144","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-business-news","8":"tag-podcast-music"},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/posts\/902144","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/comments?post=902144"}],"version-history":[{"count":0,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/posts\/902144\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/media\/902145"}],"wp:attachment":[{"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/media?parent=902144"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/categories?post=902144"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/tags?post=902144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}