{"id":890349,"date":"2026-02-05T03:27:49","date_gmt":"2026-02-05T09:27:49","guid":{"rendered":"https:\/\/newsycanuse.com\/index.php\/2026\/02\/05\/genuine-history-and-heritage-downstairs-at-the-100-club\/"},"modified":"2026-02-05T03:27:49","modified_gmt":"2026-02-05T09:27:49","slug":"genuine-history-and-heritage-downstairs-at-the-100-club","status":"publish","type":"post","link":"https:\/\/newsycanuse.com\/index.php\/2026\/02\/05\/genuine-history-and-heritage-downstairs-at-the-100-club\/","title":{"rendered":"\u201cGenuine History And Heritage\u201d Downstairs At The 100 Club"},"content":{"rendered":"<p>Music <\/p>\n<div>\n<p>Walking into <strong>the 100 Club<\/strong> is a singular experience. Placed amongst the throng of Oxford Street shoppers, the climb down its staircase feels as though you\u2019re leaving the hyper-capitalist, sales-driven world behind. Noise hits you\u00a0half-way\u00a0down, just before the ticket booth, increasing in volume as you walk through the door and into one of Britain\u2019s most historic venues.<\/p>\n<p>With a floor beaten down by both pogoing punks and the intricate moves of Northern Soul dancers, the 100 Club has stood for eclecticism and honesty for decades now. Owner and director <strong>Jeff Horton <\/strong>knows this more than most \u2013 his father built the stage that everyone from The Rolling Stones to IDLES have played on, while the club itself has been a part of his life since his sixth birthday. \u201cI think people love this venue for two things,\u201d he reflects. \u201cGenuine history and heritage\u201d.<\/p>\n<p>\u2014<\/p>\n<figure><img loading=\"lazy\" width=\"987\" height=\"655\" decoding=\"async\" src=\"https:\/\/www.clashmusic.com\/wp-content\/uploads\/2017\/03\/FP-X-100-4.jpg\" alt previous-src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\"><\/figure>\n<p>\u2014<\/p>\n<p>Walking around the 100 Club, it\u2019s easy to get a sense of both. The walls\u00a0are decked in old posters \u2013 for iconic punk shows and jazz greats alike \u2013 while there\u2019s also a sense that the venue has staunchly stood still,\u00a0while the world outside has rushed forwards. \u201cI think people want the place to stay the same.\u00a0<em>I<\/em>\u00a0want it to stay the same. That\u2019s why it looks like it does,\u201d Jeff feverishly explains. \u201cIt actually still looks like it used to when I first came here in 1967!\u201d<\/p>\n<p>Everyone involved with the 100 Club is here through absolute love and devotion. One of the last surviving venues in central London, the staff adore their jobs \u2013 from security to the cloakroom, right down to the bar crew and the sound team. It\u2019s a family affair too \u2013 Jeff\u2019s son and daughter both work shifts when needed, practically born and raised in this dusky old basement. \u201cHere in Westminster and Soho, the community has died,\u201d Jeff shrugs. \u201cSince the turn of the Millennium it\u2019s become a completely different place. It\u2019s sterile now \u2013 it\u2019s lost a lot of its pizzaz\u00a0\u2013\u00a0and the reason that made London exciting. But when you come to the 100 Club you feel that again.\u201d<\/p>\n<p>\u2014<\/p>\n<figure>\n<p>\n<iframe loading=\"lazy\" title=\"The Specials - Nite Klub (Live At The 100 Club, London \/ 2019)\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/-Z2WOd4D9FA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-load-mode=\"1\"><\/iframe>\n<\/p>\n<\/figure>\n<p>\u2014<\/p>\n<p>The venue first housed music during the Second World War, with jazz greats such as <strong>Glenn Miller<\/strong> playing ad hoc sets onstage. Changing its name to the 100 Club in the\u00a0\u201960s \u2013 after its address at 100 Oxford Street \u2013 the venue moved with the times, showcasing a coterie of now-iconic names. Later becoming a punk redoubt as the\u00a0\u201970s closed, the 100 Club moved into the 21<sup>st<\/sup>\u00a0century as an eclectic home for outsiders who had nowhere else to go. \u201cMy dad had residencies with The Rolling Stones, The Kinks, The Who \u2013 when they were called The High Numbers \u2013 so I\u2019ve often said to people, it hasn\u2019t been a jazz club for almost 60 years! We do every form of music there is, including jazz, still. But it was never a jazz club, never a blues club, never a Northern Soul club, it\u2019s always been a music venue.\u201d<\/p>\n<p>The 100 Club\u2019s ability to evolve and shake off expectations is now reaching a new generation. Becoming a hub for young rap artists \u2013 the likes of <strong>Chip<\/strong> and <strong>Dizzee Rascal <\/strong>have all played packed out shows in recent years \u2013 has introduced the venue to a fresh audience, who instincitvely embrace both its lineage and its eclecticism. \u201cWe do a lot of hip-hop here and a lot of grime nights now,\u201d Jeff says. \u201cYou get all these young kids \u2013 21, 22 years old \u2013 coming down and going \u2018this is absolutely amazing!\u2019 They get it straight away. A lot of people don\u2019t think young kids understand, but they do. They really do understand!\u201d<\/p>\n<p>Yet it hasn\u2019t always been easy. 100 Club came within a whisker of permanently closing in 2010, before a high-profile international campaign managed to save it. Looking back, Jeff marvels at the grassroots support, while also recalling a spectacular set from <strong>Sir Paul McCartney<\/strong> \u2013 perhaps more used to arenas and sports stadiums, the Beatles legend switched things up to salute the impact of this Central London basement. \u201cI vividly recall Paul McCartney standing up at the end saying: \u2018Mr 100, you have to keep this place going because it is really, really cool!\u2019 And that was the moment when it suddenly hit me like a bolt out the blue\u2026 maybe\u00a0I had been doing the right thing all along.\u201d<\/p>\n<p>Later becoming the first grassroots venue of any kind to be granted <strong>Localism Relief<\/strong> \u2013 in effect, having their business rates removed \u2013 the 100 Club looks as though it\u2019s here to stay for good. Looking back, Jeff marvels at the \u201cstupid belligerence within me\u201d that managed to find a path through. \u201cI had to keep the club going because it was too fucking important,\u201d he says. \u201cToo many people that hadn\u2019t been born yet had to come and visit the club.\u201d<\/p>\n<div>\n<p>It\u2019s <strong>Jools Holland\u2019s<\/strong> favourite venue, and one that holds a special place in <strong>Paul Weller\u2019<\/strong>s heart; it has secured shows by <strong>Kings Of Leon<\/strong> and blues great <strong>Muddy Waters<\/strong>, 2 Tone giants <strong>The Special<\/strong>s and a pre-fame Oasis. A hub for new voices that is sought out by the greats, the 100 Club is spearheading independent live music both in London and across the country. \u201cI\u2019m really proud of everything we\u2019ve achieved with the club. My children work here now, and they understand the ethics of the club. And that\u2019s the way 100 Club works, you can\u2019t explain [it]\u00a0to people. You either get it or you don\u2019t.\u201d<\/p>\n<p>\u201cLet\u2019s put it this way,\u201d he finishes. \u201cIf no grassroots music venues exist any more where are the headliners of Glastonbury and the Isle of Wight festival going to come from in two, three years time?\u201d<\/p>\n<\/div>\n<p>\u2014<\/p>\n<figure><img loading=\"lazy\" width=\"600\" height=\"400\" decoding=\"async\" src=\"https:\/\/www.clashmusic.com\/wp-content\/uploads\/2015\/12\/IMG_7016_0.jpg\" alt previous-src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\"><\/figure>\n<p>\u2014<\/p>\n<p>Related: <strong><span><a href=\"https:\/\/www.clashmusic.com\/features\/five-of-the-best-london-independent-venues\/\">Five Of The Best \u2013 London Independent Music Venues<\/a><\/span><\/strong><\/p>\n<p><em><strong>The 100 Club<\/strong> is hosting special shows for <strong><span><a href=\"https:\/\/independentvenueweek.com\">Independent Venue Week<\/a><\/span><\/strong>. For the latest <strong>Music Venue Trust<\/strong> annual report <strong><span><a href=\"https:\/\/www.musicvenuetrust.com\">visit their website.<\/a><\/span><\/strong><\/em><\/p>\n<p>Words: <strong>Robin Murray<\/strong><\/p>\n<p>\u2014<\/p>\n<\/p><\/div>\n<div>\n<p>\n                                                            <a rel=\"noopener noreferrer\" href=\"https:\/\/click.weare8.com\/zMp3\/m2pmjdna\" target=\"_blank\"><br \/>\n                                                                <img loading=\"lazy\" decoding=\"async\" width=\"1940\" height=\"500\" alt=\"music Join us on Weare8\" src=\"http:\/\/www.clashmusic.com\/wp-content\/themes\/chop-child\/images\/WeAre8-banner-new.jpg\" previous-src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\"><br \/>\n                                                            <\/a>\n                                                        <\/p>\n<p>Join us on WeAre8, as we get under the skin of global cultural happenings. Follow Clash Magazine <a href=\"https:\/\/app.weare8.com\/@clashmagazine?share=mobile\">HERE<\/a> as we skip merrily between clubs, concerts, interviews and<br \/>\n                                                            photo shoots. Get backstage sneak-peeks and a view into our world as the fun and games unfold. <\/p>\n<\/p><\/div>\n<p><a href=\"https:\/\/www.clashmusic.com\/features\/genuine-history-and-heritage-downstairs-at-the-100-club\/\" class=\"button purchase\" rel=\"nofollow noopener\" target=\"_blank\">Read More<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Music Walking into the 100 Club is a singular experience. Placed amongst the throng of Oxford Street shoppers, the climb down its staircase feels as though you\u2019re leaving the hyper-capitalist, sales-driven world behind. Noise hits you\u00a0half-way\u00a0down, just before the ticket booth, increasing in volume as you walk through the door and into one of Britain\u2019s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":890350,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[131522],"class_list":["post-890349","post","type-post","status-publish","format-standard","has-post-thumbnail","category-business-news","tag-podcast-music"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/posts\/890349","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/comments?post=890349"}],"version-history":[{"count":0,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/posts\/890349\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/media\/890350"}],"wp:attachment":[{"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/media?parent=890349"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/categories?post=890349"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/tags?post=890349"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}