{"id":866976,"date":"2025-08-21T23:15:15","date_gmt":"2025-08-22T04:15:15","guid":{"rendered":"https:\/\/newsycanuse.com\/index.php\/2025\/08\/21\/projects-produced-by-alia-bhatt-payal-kapadia-kani-kusruti-in-busans-apm-2025-line-up\/"},"modified":"2025-08-21T23:15:15","modified_gmt":"2025-08-22T04:15:15","slug":"projects-produced-by-alia-bhatt-payal-kapadia-kani-kusruti-in-busans-apm-2025-line-up","status":"publish","type":"post","link":"https:\/\/newsycanuse.com\/index.php\/2025\/08\/21\/projects-produced-by-alia-bhatt-payal-kapadia-kani-kusruti-in-busans-apm-2025-line-up\/","title":{"rendered":"Projects Produced By Alia Bhatt, Payal Kapadia &#038; Kani Kusruti In Busan\u2019s APM 2025 Line-up\u00a0"},"content":{"rendered":"<div>\n<p>\n\t<a href=\"https:\/\/deadline.com\/tag\/busan-international-film-festival\/\" id=\"auto-tag_busan-international-film-festival_1\" data-tag=\"busan-international-film-festival\">Busan International Film Festival<\/a> (BIFF) has announced the 30 projects selected for this year\u2019s <a href=\"https:\/\/deadline.com\/tag\/asian-project-market\/\" id=\"auto-tag_asian-project-market_1\" data-tag=\"asian-project-market\">Asian Project Market<\/a>, including two projects produced by high-profile Indian actresses.\u00a0<\/p>\n<p>\n\tThe line-up includes <em>Difficult Daughters<\/em>, directed by Soni Razdan, which is being produced by Alia Bhatt and her sister Shaheen Bhatt, along with veteran Indian indie producer Alan McAlex (<em>Santosh<\/em>).\u00a0<\/p>\n<p>\n\tKani Kusruti, who starred in Cannes Palme d\u2019Or winning film <em>All We Imagine As Light<\/em>, is teaming with the director of that film, Payal Kapadia, to produce <em>The Last Of Them Plagues<\/em>, directed by Kunjila Mascillamani. Kusruti attended BIFF last year as a jury member for the New Currents competition.\u00a0<\/p>\n<p>\n\tElsewhere, the line-up includes several other filmmakers with ties to BIFF, including Indian director Pradip Kurbah, recipient of the 2019 Jiseok Award, with new project <em>Moon<\/em>; Bangladeshi filmmaker Biplob Sarkar, previously invited to BIFF New Currents and returning with LGBTQ+-themed <em>The Magical Men<\/em>; and Malaysia\u2019s Lau Kok Rui from the BIFF 2022 Asian Film Academy, who is presenting <em>Wake Me up When the Mourning Ends<\/em>, with Soi Cheang, Stefano Centini and Wong Kew Soon on board as producers.\u00a0<\/p>\n<div data-pmc-adm-ad-id=\"1234771711\">\n<h3>\n\t\t\tWatch on Deadline\t\t<\/h3>\n<\/p><\/div>\n<p>\n\tThe line-up also features five Chinese-language projects, with three from Taiwan focusing on female protagonists. Japan is represented by three projects from established directors Shiraishi Kazuya, Fujita Naoya and Zhang Yaoyuan, with stories revolving around the realities of foreign laborers, a reclusive woman\u2019s struggle for identity, and a multifaceted view of what Japanese youth face today.<\/p>\n<p>\n\tSeven Korean projects have also been selected from both emerging and mid-career directors, including <em>Gilddong<\/em> from Park Riwoong, who won the New Currents Award at BIFF 2024 for <em>The Land Of Morning Calm<\/em>; <em>Arrival Of Water<\/em> from Jo Heeyoung; <em>Dance Dance Revolution<\/em> by director Choi Hana (<em>More Than Family<\/em>); and <em>The Descent<\/em> by director Kim Hyoeun following her BIFF 2024 invitation for <em>Tango At Dawn<\/em>.<\/p>\n<p>\n\tAsian Project Market (APM) will be held for four days from September 20-23 during the 20th edition of the Asian Contents &#038; Film Market at BEXCO.\u00a0<\/p>\n<p>\n\t<strong>ASIAN PROJECT MARKET 2025:<\/strong><\/p>\n<p>\n\t<em>*Supported by ACF Script Development Fund<\/em><\/p>\n<p>\n\t<em>Arrival Of Water<\/em> (Korea, Japan)<br \/>Dir: Jo Heeyoung<br \/>Prod: Park Sejin<br \/>\u00a0<br \/><em>Black Star Angel*<\/em> (Armenia, US)<br \/>Dir: Christine Haroutounian<br \/>Prod: Maxwell Schwartz, Christine Haroutounian<br \/>\u00a0<br \/><em>Bodoi <\/em>(Japan)<br \/>Dir: Shiraishi Kazuya<br \/>Prod: Kii Muneyuki<br \/>\u00a0<br \/><em>Buy My Car<\/em> (Japan, China)<br \/>Dir: Zhang Yaoyuan<br \/>Prod: Ichiyama Shozo, Kunizane Mizue, Mo Zhulin<br \/>\u00a0<br \/><em>Churching Of Women<\/em> (Jordan)<br \/>Dir: Darin Sallam<br \/>Prod: Deema Azar, Ayah Jardaneh<br \/>\u00a0<br \/><em>Dance Dance Revolution<\/em> (Korea)<br \/>Dir: Choi Hana<br \/>Prod: An Boyoung<br \/>\u00a0<br \/><em>The Daughter<\/em> (Hong Kong, China)<br \/>Dir: Guan Tian<br \/>Prod: Vivian Bao, Ding Ningyuan<br \/>\u00a0<br \/><em>The Descent<\/em> (Korea)<br \/>Dir: Kim Hyoeun<br \/>Prod: Park Hyunsuk<br \/>\u00a0<br \/><em>Difficult Daughters <\/em>(India)<br \/>Dir: Soni Razdan<br \/>Prod: Alia Bhatt, Shaheen Bhatt, Alan Mcalex, Grishma Shah<br \/>\u00a0<br \/><em>Disorder<\/em> (Iraq, Germany)<br \/>Dir: Shawkat Amin Korki<br \/>Prod: Mehmet Aktas, Shohreh Golparian, Shawkat Amin Korki<br \/>\u00a0<br \/><em>Flying Cows <\/em>(Vietnam)<br \/>Dir: Nguyen Pham Thanh Dat<br \/>Prod: Nguyen Huu Thi Tuong Vi<br \/>\u00a0<br \/><em>The Funeral March<\/em> (Japan, China)<br \/>Dir: Fujita Naoya<br \/>Prod: Fujita Kanako, Shiina Yasushi, Zou Aiken, Zou Lin<br \/>\u00a0<br \/><em>Gilddong<\/em> (Korea, China)<br \/>Dir: Park Riwoong<br \/>Prod: Yoon Minyoung<br \/>\u00a0<br \/><em>Gochi <\/em>(Korea)<br \/>Dir: Yoon Eunkyoung<br \/>Prod: Stanley Kwak<br \/>\u00a0<br \/><em>Heaven Help Us!* <\/em>(Philippines)<br \/>Dir: Eve Baswel<br \/>Prod: John Torres, Jules Katanyag<br \/>\u00a0<br \/><em>Lanka (The Fire)<\/em> (India)<br \/>Dir: Saurav Rai<br \/>Prod: Sudeepta Sadhukhan, Viraj Selot, Ankita Purkayastha<br \/>\u00a0<br \/><em>The Last Of Them Plagues<\/em> (India)<br \/>Dir: Kunjila Mascillamani<br \/>Prod: Payal Kapadia, Jeo Baby, Kani Kusruti<br \/>\u00a0<br \/><em>Lost And Cow<\/em> (Thailand)<br \/>Dir: Thapanee Loosuwan<br \/>Prod: Chonlasit Upanigkit, Somprasong Srikrajang<br \/>\u00a0<br \/><em>The Magical Men<\/em> (Bangladesh, Singapore, France, India)<br \/>Dir: Biplob Sarkar<br \/>Prod: Biplob Sarkar, Fran Borgia, Francois d\u2019Artemare, Sankhajit Biswas<br \/>\u00a0<br \/><em>Moon<\/em> (India)<br \/>Dir: Pradip Kurbah<br \/>Prod: Pradip Kurbah<br \/>\u00a0<br \/><em>New Life*<\/em> (China)<br \/>Dir: Li Yingtong<br \/>Prod: Annie Song<br \/>\u00a0<br \/><em>No Country For Old Men<\/em> (Taiwan)<br \/>Dir: An Bon<br \/>Prod: Chen Pao-Ying<br \/>\u00a0<br \/><em>Paradis Karaoke<\/em> (Korea)<br \/>Dir: Byun Sungbin<br \/>Prod: Bong Suji<br \/>\u00a0<br \/><em>Sama<\/em> (Canada, Afghanistan)<br \/>Dir: Brishkay Ahmed<br \/>Prod: Brishkay Ahmed, Bonnie Do<br \/>\u00a0<br \/><em>Silence Of The Looms<\/em> (Bangladesh)<br \/>Dir: Mirza Shabnam Ferdousi<br \/>Prod: Rajib Mohajan<br \/>\u00a0<br \/><em>Silent Cry<\/em> (Korea)<br \/>Dir: Jero Yun<br \/>Prod: Jero Yun<br \/>\u00a0<br \/><em>The Skull Oracle<\/em> (Taiwan)<br \/>Dir: Laha Mebow<br \/>Prod: Eric Liang Zara Lin, Chen Yi Chen<br \/>\u00a0<br \/><em>Snake In The Dreamscapes<\/em> (Taiwan)<br \/>Dir: Lou Yi-An<br \/>Prod: Chen Wen Wen, Kao Chun Ting, Hsu Guo-Lun<br \/>\u00a0<br \/><em>Stuck Like Babies <\/em>(Kyrgyzstan)<br \/>Dir: Dastan Zhapar Ryskeldi<br \/>Prod: Veronica Rhyme, Aktan Ryskeldiev, Fernanda Renno<br \/>\u00a0<br \/><em>Wake Me Up When The Mourning Ends<\/em> (Malaysia, Hong Kong, Italy, Taiwan)<br \/>Dir: Lau Kok Rui<br \/>Prod: Soi Cheang, Stefano Centini, Wong Kew Soon<br \/>\u00a0<br \/>\u00a0<\/p>\n<\/div>\n<p><a href=\"https:\/\/deadline.com\/2025\/07\/alia-bhatt-kani-kusruti-busan-film-asian-project-market-1236463172\/\" class=\"button purchase\" rel=\"nofollow noopener\" target=\"_blank\">Read More<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Busan International Film Festival (BIFF) has announced the 30 projects selected for this year\u2019s Asian Project Market, including two projects produced by high-profile Indian actresses.\u00a0 The line-up includes Difficult Daughters, directed by Soni Razdan, which is being produced by Alia Bhatt and her sister Shaheen Bhatt, along with veteran Indian indie producer Alan McAlex (Santosh).\u00a0<\/p>\n","protected":false},"author":1,"featured_media":866977,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[44685,2606],"tags":[18005,7228],"class_list":{"0":"post-866976","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-produced","8":"category-projects","9":"tag-produced","10":"tag-projects"},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/posts\/866976","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/comments?post=866976"}],"version-history":[{"count":0,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/posts\/866976\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/media\/866977"}],"wp:attachment":[{"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/media?parent=866976"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/categories?post=866976"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/tags?post=866976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}