{"id":815911,"date":"2024-12-30T04:24:49","date_gmt":"2024-12-30T10:24:49","guid":{"rendered":"https:\/\/newsycanuse.com\/index.php\/2024\/12\/30\/11-acts-that-defined-m-for-montreal-2024\/"},"modified":"2024-12-30T04:24:49","modified_gmt":"2024-12-30T10:24:49","slug":"11-acts-that-defined-m-for-montreal-2024","status":"publish","type":"post","link":"https:\/\/newsycanuse.com\/index.php\/2024\/12\/30\/11-acts-that-defined-m-for-montreal-2024\/","title":{"rendered":"11 Acts That Defined M For Montr\u00e9al 2024"},"content":{"rendered":"<p>Music <\/p>\n<div property=\"content:encoded\">\n<p>Taking to the land of revolving doors and cash-only bars, <strong>M For Montr\u00e9al <\/strong>returns and thrives in the quirks of its city. Hosted annually, the festival offers a global platform to nascent, homegrown talent across a diverse pool of venues, lending its spotlight to a cross-genre extravaganza of music, arts and culture. Swinging between the essence of indie-sleaze to the underground francophone rap scene, each showcase treads on fresh soil, coming together as a truly refreshing experience for those looking to keep their finger on the pulse.<\/p>\n<p>This year marks M For Montr\u00e9al\u2019s 19th edition, an evolutionary milestone that manifests across the festival\u2019s thorough programming. Over four days, the M team seamlessly guide attendees across sound palettes, meanwhile offering a flavour of the city as they hop between spaces, both intimate and large-scale, all with bounds of personality. Elsewhere, the week invites a series of enriching talks, panels and workshops catered to different areas of the industry. Be it analysing sync trends or a round-table discussion on accessibility in live music, the conference encourages a more rounded perspective amongst its peers, highlighting the day-to-day strengths and obstacles in each of its moving parts.<\/p>\n<p>Despite being wrapped in layers of thermals, scarves and gloves, the surprise of a mild, Canadian winter strikes as a popular conversation starter. As we find ourselves whisked away in a mustard-yellow school bus, CLASH are furiously taking note of the acts that set themselves apart.\u00a0<\/p>\n<p>In no particular order, we present our eleven favourite acts from this year\u2019s M For Montr\u00e9al proceedings\u2026<\/p>\n<p><strong>Vox Rea<\/strong><\/p>\n<p>Heading over to the rugged, brick-walled glory of Les Foufounes \u00c9lectriques, the punkish, low-lit venue unveils the festival\u2019s first official showcases. Amongst the hum and buzz of a tattoo gun, sister duo Kate and Lauren Kurdyak share their intertwined harmonies over a vibrant performance. Sporting warm-tinted sunglasses, the band embrace a free-flowing, almost psychedelic identity to their craft, leaning into hazy strums, bright notes and punchy drum patterns. At their most refined, the outfit dip into 2015\u2019s \u2018Primitive\u2019, a track that best captures their collaborative forces and builds momentum, one verse and hook at a time. An all-round joy to watch and, for those wondering, we just about managed to resist the urge for some new ink.<\/p>\n<figure>\n<p>\n<iframe loading=\"lazy\" title=\"Vox Rea - Julia | The Hollywood Theatre\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/AsRKPM2d8_k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-load-mode=\"1\"><\/iframe>\n<\/p>\n<\/figure>\n<p>\u2014<\/p>\n<p><strong>Jane Penny<\/strong><\/p>\n<p>Best known for her work as a founding member of Canadian indie-rock band TOPS, Jane Penny is celebrating the arrival of her debut solo album, \u2018Surfacing\u2019. On the Foufounes stage, the artist establishes herself as a true polymath, operating as both a singer and multi-instrumentalist. Over a twinkling, plush production, Penny tackles each track with a magnetic charm, a playful, pure vocal delivery that finds itself elevated by riddling flute sections and keys. Previewing some of her most captivating work via an unreleased track dedicated to \u2018frequent flyers\u2019, the songstress carries an air of nostalgia that earns cheerful praise from her crowd.<\/p>\n<figure>\n<p>\n<iframe loading=\"lazy\" title=\"Jane Penny - Messages (Official Video)\" width=\"500\" height=\"375\" data-src=\"https:\/\/www.youtube.com\/embed\/Y1QN2bqh2Pc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-load-mode=\"1\"><\/iframe>\n<\/p>\n<\/figure>\n<p><strong>Alix Fernz<\/strong><\/p>\n<p>Surrounded by stained-glass windows, wooden furnishings and an ensemble of tequila shots, Quai des Brumes feels like an unlikely yet somewhat fitting space for Alix Fernz. Ramping up the volume to its peak, attendees unscrew their earplug canisters and buckle in for a brisk, daytime performance from the alt-rocker, now joined by a three-piece band. Hunching over the speakers and piercing the audience with a harsh glare, the Mothland signee injects a gritty rebellion into his vocals. Taken from this year\u2019s full-length debut, \u2018Fleur en poly\u00e9thyl\u00e8ne\u2019 defines the set, an ambitious track that snapshots the synergy between all four members. Elsewhere, Fernz toys with shock factor, an unruly protagonist who hops between tables and crawls onstage whilst switching between instruments. The result is whacky and disorientating, an addictive concoction of vintage synths, crashing drums and slick guitar licks that win big.<\/p>\n<figure>\n<p>\n<iframe loading=\"lazy\" title=\"Alix Fernz  - Session Live @ l'Escogriffe\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/2p7gqjEIo6A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-load-mode=\"1\"><\/iframe>\n<\/p>\n<\/figure>\n<p>\u2014<\/p>\n<p><strong>Living Hour<\/strong><\/p>\n<p>A contrasting follow-up to Alix Fernz, the afternoon steers towards a more grunge, downtempo direction with Living Hour. Made up of Sam Sarty, Gilad Carroll, Adam Soloway and Brett Ticzon, the Winnipeg outfit tug between drowning distortion and woozy verses, throwing themselves physically into each performance. Playing largely unreleased material, they channel a nonchalant cool and confidence in their craft, leaving enough room for their stripped-back lyricism to shine through. Characterised by a moody, unpolished edge, Living Hour returns to the tropes of their eponymous debut, an atmospheric performance that opens up a new chapter.<\/p>\n<figure>\n<p>\n<iframe loading=\"lazy\" title=\"Living Hour - Bottom Step (live)\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/TMfN1qDq8Wo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-load-mode=\"1\"><\/iframe>\n<\/p>\n<\/figure>\n<p>\u2014<\/p>\n<p><strong>Goodbye Karelle<\/strong><\/p>\n<p>Within the glitzy parameters of Club Soda, Goodbye Karelle place their best foot forward with charisma, sentiment and story-telling. Greeted by a wholesome crowd, songwriter, actress and poet Karelle Tremblay leads her posse of musicians, piecing together an engaging, theatrical performance. Tapping into the personable, DIY spirit of a cult indie film (think Napoleon Dynamite or Juno), the artist embraces the role of a narrator, walking her followers through life\u2019s misfortunes. Whether it be the flashback quality of \u2018Sneakers\u2019 or the light-hearted sarkiness of \u2018Moonroad\u2019, Goodbye Karelle speak to the inner-self, achieving a sense of universality in the process.<\/p>\n<figure>\n<p>\n<iframe loading=\"lazy\" title=\"Goodbye Karelle - Moonroad (official video)\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/2PM_7xwDsQY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-load-mode=\"1\"><\/iframe>\n<\/p>\n<\/figure>\n<p>\u2014<\/p>\n<p><strong>Population II<\/strong><\/p>\n<p>According to local music heads, Population II is the name on everybody\u2019s lips. As an outsider stepping into Caf\u00e9 Cl\u00e9op\u00e2tre, an old school strip bar located in Montr\u00e9al\u2019s Red Light District, it\u2019s difficult to pinpoint what to expect from the rock \u2018n roll trio. As they make their way onstage and position their instruments, they savour the attentiveness of their audience. Jumpstarting into a frenzy, Pierre-Luc Gratton hits his drums with brash force, whilst keyboardist Tristan Lacombe and bass player S\u00e9bastien Proven\u00e7al shuffle into action. Over a speedy twenty minutes, they construct a jittering spectacle, lunging over keys, pacing back and forth between strums and swinging their heads in all directions. Sonically, they\u2019re noisy, relentless and bizarre, but all the more intriguing for it. Head over to The Shacklewell Arms and experience the chaos for yourself on <a href=\"https:\/\/dice.fm\/event\/avnbd7-population-ii-30th-jan-the-shacklewell-arms-london-tickets?lng=en\">Thursday 30th January.<\/a><\/p>\n<figure>\n<p>\n<iframe loading=\"lazy\" title=\"Population II - Comme tu le souhaites (Ding Dong) (Official Audio)\" width=\"500\" height=\"375\" data-src=\"https:\/\/www.youtube.com\/embed\/ytYYHOeT4OE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-load-mode=\"1\"><\/iframe>\n<\/p>\n<\/figure>\n<p>\u2014<\/p>\n<p><strong>P\u2019tit Belliveau<\/strong><\/p>\n<p>A cult figure within the Canadian folk quarters, P\u2019tit Belliveau brings his feral ruckus to downtown venue slash amphitheatre, MTELUS. For those who aren\u2019t yet acquainted, we\u2019d best translate the artist as the Partiboi69 of country music, a rambunctious force that bulldozes himself into on-stage stunts and crowd-fuelled mayhem. Soundtracked by ecstatic banjo breakdowns, Belliveau is joined by his beloved entourage Les Grosses Coques, bouncing between flames, wrestling tactics and amphibian-coded hats. A viral spectacle through and through, the space is filled to its brim with fans chanting in unison, a peculiar escape to the swamp with tracks like \u2018The Secret Life of a Frog\u2019 or \u2018The Frog War\u2019. Etched into our memory for a lifetime, P\u2019tit Belliveau steps away from his first concert-level performance with his head held high.<\/p>\n<figure>\n<p>\n<iframe loading=\"lazy\" title=\"P'tit Belliveau - Le reel \u00e0 Dan live @ Club Soda\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/53yfOXva3ps?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-load-mode=\"1\"><\/iframe>\n<\/p>\n<\/figure>\n<p>\u2014<\/p>\n<p><strong>JaRon Marshall<\/strong><\/p>\n<p>Hailed as a core member of Black Pumas, JaRon Marshall is stopping off at Casa del Popolo to bring punters into a late-night jam session. Tackling each element with precision, the Texas-born composer accentuates the strengths of his 2023 release \u2018earth sounds.\u2019 Paired with drums, trumpet and a bass guitar, JaRon\u2019s keys wander down melodious rabbit holes, expanding each performance into its own, unique rendition. In turn, the group instantly grasps attention, each player working in synergy with one another whilst preserving individual flair. An opportunity to showcase his solo work to an international crowd, JaRon Marshall brings top-tier jazz to the M For Montr\u00e9al line-up.<\/p>\n<figure>\n<p>\n<iframe loading=\"lazy\" title=\"JaRon Marshall + The Collective - Live at Monks\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/uFIuXDxrV_8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-load-mode=\"1\"><\/iframe>\n<\/p>\n<\/figure>\n<p>\u2014<\/p>\n<p><strong>Truck Violence<\/strong><\/p>\n<p>A pivot towards the harsher textures of hardcore, Truck Violence merges the forces of Paul Lecours and Karsyn Henderson into an anarchic display. Stripped down to their boxer shorts, the duo find themselves surrounded by flashing screens in the round. Sporting big, electric sonics and a punching percussion, they venture into gritty themes of addiction and past trauma, drumming up mosh pits from each corner of the room. Tightly packing a visceral set full of twists and turns, the Mothland natives create one of the most visually pinching performances of the week, building up tension before swooping into stomach-turning drops.<\/p>\n<figure>\n<p>\n<iframe loading=\"lazy\" title=\"He ended the bender hanging\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/hJwelJ6vWbM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-load-mode=\"1\"><\/iframe>\n<\/p>\n<\/figure>\n<p>\u2014<\/p>\n<p><strong>Sean Nicholas Savage<\/strong><\/p>\n<p>Combining Disneyland magic with a Lynchian twist, Sean Nicholas Savage finds himself twirling barefoot beneath a spotlit disco ball on a Sunday afternoon. Near and dear to the avant-garde, the singer-songwriter, poet and playwright wears his heart on his sleeve, a poignant croon over bare piano keys. Embraced by an intimate crowd, there is a deeply personal quality to Savage\u2019s performance, one that juggles between playful, light-hearted moments and soul-baring expressions. Aligned with community-focused label Arbutus Records (Grimes, Blue Hawaii, TOPS, etc.), the artist has found collaborators in the likes of Solange and Mac Demarco, treating each project as a blank canvas. Sparkly and unconventional, Sean Nicholas Savage is a true gem to be discovered amongst the city\u2019s underground.<\/p>\n<p>\u2014<\/p>\n<figure>\n<p>\n<iframe loading=\"lazy\" title=\"Sean Nicholas Savage - Say No (Official Music Video)\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/tCtpjmJqUpU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-load-mode=\"1\"><\/iframe>\n<\/p>\n<\/figure>\n<p>\u2014<\/p>\n<p><strong>Manon Meurt<\/strong><\/p>\n<p>Hailing from Rakovn\u00edk, Manon Meurt spill their acoustics over an after-hours crowd, a moody round-off to the festival\u2019s closing night. Made up of guitarist Kry\u0161tof Kor\u010d\u00e1k, drummer Ji\u0159\u00ed Bendl, David Tich\u00fd on keyboard duties and main vocalist slash guitarist Kate\u0159ina Elznicov\u00e1, the outfit construct a smokey, enigmatic performance, noting the influence of 90s shoegaze across. Over a half hour slot, the band commit to lengthier tracks, defined by their incremental build-up towards a dense, reverberating output.\u00a0<\/p>\n<figure>\n<p>\n<iframe loading=\"lazy\" title=\"MANON MEURT \u2013 Kas\u00e1rna Karl\u00edn Session\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/lpUaPBRM_Us?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-load-mode=\"1\"><\/iframe>\n<\/p>\n<\/figure>\n<p>\u2014<\/p>\n<p>Words by: <strong>Ana Lamond<\/strong><\/p>\n<\/p><\/div>\n<p><a href=\"https:\/\/www.clashmusic.com\/features\/11-acts-that-defined-m-for-montreal-2024\/\" class=\"button purchase\" rel=\"nofollow noopener\" target=\"_blank\">Read More<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Music Taking to the land of revolving doors and cash-only bars, M For Montr\u00e9al returns and thrives in the quirks of its city. Hosted annually, the festival offers a global platform to nascent, homegrown talent across a diverse pool of venues, lending its spotlight to a cross-genre extravaganza of music, arts and culture. Swinging between [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":815912,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[131522],"class_list":{"0":"post-815911","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-business-news","8":"tag-podcast-music"},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/posts\/815911","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/comments?post=815911"}],"version-history":[{"count":0,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/posts\/815911\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/media\/815912"}],"wp:attachment":[{"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/media?parent=815911"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/categories?post=815911"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/tags?post=815911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}