{"id":603919,"date":"2023-02-02T11:30:00","date_gmt":"2023-02-02T17:30:00","guid":{"rendered":"https:\/\/news.sellorbuyhomefast.com\/index.php\/2023\/02\/02\/hedvig-mollestad-what-makes-us-care\/"},"modified":"2023-02-02T11:30:00","modified_gmt":"2023-02-02T17:30:00","slug":"hedvig-mollestad-what-makes-us-care","status":"publish","type":"post","link":"https:\/\/newsycanuse.com\/index.php\/2023\/02\/02\/hedvig-mollestad-what-makes-us-care\/","title":{"rendered":"Hedvig Mollestad: &#8216;What Makes Us Care?&#8217;"},"content":{"rendered":"<p>Hedvig Mollestad\u2019s main guitar is a blonde 1988 Gibson ES-335 Showcase Edition, which she modified with \u201957 Classic humbuckers, Bigsby tremolo, and gold hardware.<\/p>\n<div data-elid=\"2659095046\" data-post-url=\"https:\/\/www.premierguitar.com\/artists\/guitarists\/hedvig-mollestad\" data-authors=\"David R. Adler\" data-headline=\"Hedvig Mollestad: 'What Makes Us Care?'\">\n<p class><strong><\/strong>For a stiff contraption of metal and wood, the guitar can convey an extraordinary range of human emotions. Combine it with an 11-piece ensemble and the options expand like a flower. Norway\u2019s Hedvig Mollestad, her blonde Gibson ES-335 in hand, revels in these myriad possibilities on her latest album <em>Maternity Beat<\/em>, a commissioned project with the Trondheim Jazz Orchestra. (Previous TJO guest collaborators include Chick Corea and Joshua Redman\u2014not too shabby.)<\/p>\n<hr>\n<div id=\"rebelltitem2\" data-id=\"2\" data-reload-ads=\"false\" data-is-image=\"False\" data-href=\"https:\/\/www.premierguitar.com\/artists\/guitarists\/hedvig-mollestad?rebelltitem=2#rebelltitem2\" data-basename=\"particle-2\" data-post-id=\"2659095046\" data-published-at=\"1673371232\" data-use-pagination=\"False\">\n<p>It&#8217;s a logical progression. Over the course of seven albums for Rune Grammofon since 2011, the Oslo-based Mollestad remained focused on the decidedly rock-edged sound of the Hedvig Mollestad Trio, with Ellen Brekken on bass and Ivar Loe Bj\u00f8rnstad on drums. Then came a shift in 2020, which led to the release of two solo albums, <em>Ekhidna<\/em> and <em>Tempest Revisited <\/em>(2021), also for Rune, that changed the sonic equation.<\/p>\n<p>Instead of electric bass, Mollestad recruited two keyboardists for <em>Ekhidna<\/em> and added trumpet. On <em>Tempest Revisited<\/em>, the lineup grew to include three saxophonists and two drummers. She may not have known it right away, but she was laying the foundation for <em>Maternity Beat<\/em> and the expanded sound world made possible by the TJO.<\/p>\n<\/div>\n<div id=\"rebelltitem3\" data-id=\"3\" data-reload-ads=\"false\" data-is-image=\"False\" data-href=\"https:\/\/www.premierguitar.com\/artists\/guitarists\/hedvig-mollestad?rebelltitem=3#rebelltitem3\" data-basename=\"hedvig-mollestad-trondheim-jazz-orchestra-all-flights-cancelled\" data-post-id=\"2659095046\" data-published-at=\"1673371232\" data-use-pagination=\"False\">\n<h3 data-role=\"headline\">\n<p>                Hedvig Mollestad &#038; Trondheim Jazz Orchestra &#8211; All Flights Cancelled<\/p>\n<\/h3>\n<p><span data-rm-shortcode-id=\"427d4b96bdf206a1dae5d9b8024befe5\"><iframe type=\"lazy-iframe\" data-runner-src=\"https:\/\/www.youtube.com\/embed\/TH2MX1eNwCw?rel=0\" width=\"100%\" height=\"auto\" frameborder=\"0\" scrolling=\"no\"><\/iframe><\/span><\/p>\n<p>\u201cThe title <em>Maternity Beat<\/em> grasps at our only common experience, that we are all born from someone. It\u2019s not an homage to perfect parenting or motherhood, but it comes from an experience of deep caring, and a kind of awakening on the question of what makes us care, what makes us act.\u201d<\/p>\n<\/div>\n<div id=\"rebelltitem4\" data-id=\"4\" data-reload-ads=\"false\" data-is-image=\"False\" data-href=\"https:\/\/www.premierguitar.com\/artists\/guitarists\/hedvig-mollestad?rebelltitem=4#rebelltitem4\" data-basename=\"particle-4\" data-post-id=\"2659095046\" data-published-at=\"1673371232\" data-use-pagination=\"False\">\n<p>Part of the catalyst was motherhood and the huge personal and professional changes it can bring. \u201cMy first child was born in 2015 and the second in 2017,\u201d she explains. But more than this, it was the plight of migrants, including many children, during this same period that triggered Mollestad\u2019s artistic response. \u201cAt that time, it was mostly people fleeing the Syrian war,\u201d she observes, \u201cand a lot of them came to Norway. They were treated in a harsh manner, picked up in the middle of the night and driven up north where the weather was minus 40. It was so inhumane. This was happening while my children were very small, and it had a big impact on me.\u201d<\/p>\n<p> The disconnect between this hardship and her own relative comfort proved jarring for Mollestad and others in her circle, and it prompted a search for new modes of expression. \u201cYou go around in your perfect everyday mood, happy to play with your children while people are experiencing real traumas so close to us. I wasn\u2019t doing anything in particular, except thinking about it. So, it made me wonder: What is caring for other people? What is it that makes us care? Do we have to be parents? What does it take to care for another\u2019s child? The title <em>Maternity Beat<\/em> grasps at our only common experience, that we are all born from someone. It\u2019s not an homage to perfect parenting or motherhood, but it comes from an experience of deep caring, and a kind of awakening on the question of what makes us care, what makes us act.\u201d\n<\/p>\n<\/div>\n<div id=\"rebelltitem20\" data-id=\"20\" data-reload-ads=\"false\" data-is-image=\"False\" data-href=\"https:\/\/www.premierguitar.com\/artists\/guitarists\/hedvig-mollestad?rebelltitem=20#rebelltitem20\" data-basename=\"particle-20\" data-post-id=\"2659095046\" data-published-at=\"1675211487\" data-use-pagination=\"False\">\n<blockquote><p>\u201cIt\u2019s so dangerous to play in a band with St\u00e5le because he\u2019s such a box of extreme surprises and wonderfulness that you really have to step up and get your game on to match what he\u2019s doing.\u201d<\/p><\/blockquote>\n<\/div>\n<div id=\"rebelltitem6\" data-id=\"6\" data-reload-ads=\"false\" data-is-image=\"False\" data-href=\"https:\/\/www.premierguitar.com\/artists\/guitarists\/hedvig-mollestad?rebelltitem=6#rebelltitem6\" data-basename=\"particle-6\" data-post-id=\"2659095046\" data-published-at=\"1673371232\" data-use-pagination=\"False\">\n<p>To convey any of this, Mollestad realized, she needed words. And so, as a first, she wrote lyrics. More than sung melodies, they are mainly short spoken-word passages voiced by Mai Elise Solberg and Ingebj\u00f8rg Loe Bj\u00f8rnstad. At times the two also harmonize wordless melodies as part of the orchestra (joined by Mollestad herself on the culminating epic \u201cMaternity Suite\u201d). \u201cIs there a boat on the horizon?\u201d they intone on the album\u2019s leadoff track. \u201cWith mothers and children and fathers? \u2026 \/ Life is all they bring \/ Life is all we bring.\u201d<\/p>\n<p>It wasn\u2019t just the heightened turmoil of this period that led Mollestad away from the direction of her trio. \u201cI\u2019d always been true to this guitar-only concept,\u201d she says, \u201cbut I found myself wanting to break it up a little more.\u201d This didn\u2019t necessarily mean downplaying the guitar, but rather featuring it in different settings to explore its capabilities more fully. In this respect, she mirrors the influence of a major role model, veteran ECM recording artist Terje Rypdal.<\/p>\n<\/div>\n<div id=\"rebelltitem9\" data-id=\"9\" data-reload-ads=\"true\" data-is-image=\"True\" data-href=\"https:\/\/www.premierguitar.com\/artists\/guitarists\/hedvig-mollestad?rebelltitem=9#rebelltitem9\" data-basename=\"hedvig-mollestad-s-gear\" data-post-id=\"2659095046\" data-published-at=\"1673371232\" data-use-pagination=\"False\">\n<h3 data-role=\"headline\">\n<p>                Hedvig Mollestad&#8217;s Gear<\/p>\n<\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" id=\"9fc43\" data-rm-shortcode-id=\"d332748eb12c1c54756b66fa5bd59552\" data-rm-shortcode-name=\"rebelmouse-image\" lazy-loadable=\"true\" src=\"https:\/\/www.premierguitar.com\/media-library\/image.jpg?id=32664870&#038;width=980\" width=\"7083\" height=\"4724\" alt><small><\/p>\n<p>Mollestad uses various Fender amps on tour, but her go-to setup is an early-\u201970s Fender Dual Showman Reverb atop a 2&#215;15 cabinet.<\/p>\n<p><\/small><small><\/p>\n<p><em>Photo by Julia Marie Naglestad<\/em><\/p>\n<p><\/small><\/p>\n<\/div>\n<div id=\"rebelltitem10\" data-id=\"10\" data-reload-ads=\"false\" data-is-image=\"False\" data-href=\"https:\/\/www.premierguitar.com\/artists\/guitarists\/hedvig-mollestad?rebelltitem=10#rebelltitem10\" data-basename=\"guitars\" data-post-id=\"2659095046\" data-published-at=\"1673371232\" data-use-pagination=\"False\">\n<h3 data-role=\"headline\">\n<p>                Guitars<\/p>\n<\/h3>\n<ul>\n<li>1988 Gibson ES-335 Showcase Edition (modified with\u201957 Classic pickups, Bigsby tremolo, gold hardware)<\/li>\n<li>1970 Gibson ES-335 (for \u201cOn the Horizon, Part 2\u201d)<\/li>\n<li>Gibson ES-345<\/li>\n<\/ul>\n<h3>Amps<\/h3>\n<h5>Close to home:<\/h5>\n<ul>\n<li>Fender Dual Showman Reverb, 2&#215;15 cabinet (approx. 1972)<\/li>\n<\/ul>\n<h5>For the road (options requested for backline):<\/h5>\n<ul>\n<li>Vintage Fender Super Reverb<\/li>\n<li>Fender Bassman with 4&#215;10 cabinet<\/li>\n<li>Fender Deluxe Reverb<\/li>\n<li>Orange Rockerverb 100 MKIII<\/li>\n<\/ul>\n<\/div>\n<div id=\"rebelltitem12\" data-id=\"12\" data-reload-ads=\"false\" data-is-image=\"False\" data-href=\"https:\/\/www.premierguitar.com\/artists\/guitarists\/hedvig-mollestad?rebelltitem=12#rebelltitem12\" data-basename=\"effects\" data-post-id=\"2659095046\" data-published-at=\"1673371232\" data-use-pagination=\"False\">\n<h3 data-role=\"headline\">\n<p>                Effects<\/p>\n<\/h3>\n<ul>\n<li>EarthQuaker Palisades V2 Overdrive<\/li>\n<li>Vulk Audio Germanium Fuzz<\/li>\n<li>Boss TU-3 Chromatic Tuner<\/li>\n<li>Moog Moogerfooger<\/li>\n<li>Empress Superdelay<\/li>\n<li>Boss DD-7 Digital Delay <\/li>\n<li>Ernie Ball volume pedal<\/li>\n<li>Roland EV-5 Expression Pedal<\/li>\n<\/ul>\n<h3>Strings and Picks<\/h3>\n<ul>\n<li>Elixir or Ernie Ball, .011\u2013.048<\/li>\n<li> Dunlop 1.0 mm (default)<\/li>\n<li>Dunlop Jazz III 3 mm (for jazz)<\/li>\n<li>Dunlop .73 mm (for strumming)<\/li>\n<\/ul>\n<\/div>\n<div id=\"rebelltitem8\" data-id=\"8\" data-reload-ads=\"false\" data-is-image=\"False\" data-href=\"https:\/\/www.premierguitar.com\/artists\/guitarists\/hedvig-mollestad?rebelltitem=8#rebelltitem8\" data-basename=\"particle-8\" data-post-id=\"2659095046\" data-published-at=\"1673371232\" data-use-pagination=\"False\">\n<p>One priority was moving away from electric bass\u2014and yet Brekken, who had always doubled on upright bass with Mollestad\u2019s trio for the more jazz-oriented numbers, had made herself indispensable enough to get hired on upright for <em>Maternity Beat<\/em>. \u201cIt\u2019s easy for a guitarist to play with bass guitar,\u201d Mollestad maintains. \u201cIt\u2019s the same kind of riffing, the same kind of fingering, and it\u2019s beautiful, but I wanted to move away from that, which is why I first chose the double keyboards on <em>Ekhidna<\/em>. But I still needed Ellen\u2019s presence on <em>Maternity Beat<\/em>. Her sound is so full, and her beat is so concise and steady, and I really needed her energy. It was also nice to involve her in such a personal project because we\u2019re close friends.\u201d<\/p>\n<p>On keyboards, Mollestad brought in the formidable St\u00e5le Storl\u00f8kken, from the influential electro-acoustic improvising quartet Supersilent. Storl\u00f8kken\u2019s toolkit includes otherworldly synths, warm Rhodes textures and a raw, earthy Hammond organ that can recall Jan Hammer with John Abercrombie on <em>Timeless<\/em> (or perhaps Larry Young with the Tony Williams Lifetime).<\/p>\n<p>When she spoke to <em>Premier Guitar<\/em>, Mollestad was on the road with Storl\u00f8kken as part of a new trio called Weejuns (a play on \u201cNorwegians\u201d). \u201cIt\u2019s so dangerous to play in a band with St\u00e5le,\u201d she says, \u201cbecause he\u2019s such a box of extreme surprises and wonderfulness that you really have to step up and get your game on to match what he\u2019s doing. There are so many beautiful details coming out and he\u2019s so musical. You can\u2019t dwell on your choices when you play with him, you just have to act.\u201d<\/p>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" id=\"9632d\" data-rm-shortcode-id=\"b00b73d1b59b161c4edfe750168deb0f\" data-rm-shortcode-name=\"rebelmouse-image\" lazy-loadable=\"true\" src=\"https:\/\/www.premierguitar.com\/media-library\/image.png?id=32653139&#038;width=980\" width=\"1252\" height=\"1240\" alt><small><\/p>\n<p>Hedvig Mollestad\u2019s <em>Maternity Beat<\/em> is a collab with the Trondheim Jazz Orchestra. Mollestad was moved by the plights of refugees and wanted to explore themes of empathy and how that relates to parenthood. <\/p>\n<p><\/small><\/p>\n<div id=\"rebelltitem13\" data-id=\"13\" data-reload-ads=\"true\" data-is-image=\"False\" data-href=\"https:\/\/www.premierguitar.com\/artists\/guitarists\/hedvig-mollestad?rebelltitem=13#rebelltitem13\" data-basename=\"particle-13\" data-post-id=\"2659095046\" data-published-at=\"1673371232\" data-use-pagination=\"False\">\n<p>While <em>Maternity Beat<\/em> is a departure, one thing that hasn\u2019t changed for Mollestad is her main axe, the semi-hollow ES-335, chosen precisely for its versatility in jazz and rock settings. That plus vintage Fender amplification and a pedalboard full of fuzztones and delays keeps Mollestad in her happy place. \u201cI need my tuner,\u201d she clarifies, citing fairly extensive use of the Bigsby tremolo arm, which can wreak havoc during a set. \u201cAlso, with the trio there are songs where we have to tune to drop D in the middle of a song. In \u2018Leo Flash\u2019 Return to the Underworld,\u2019 for example, we have to retune on the last drum break.\u201d<\/p>\n<p>In aesthetic terms, Mollestad wanted her encounter with the TJO to depart from a mainstream big band sound. To that end, she enlisted not only Storl\u00f8kken but violinist Adrian L\u00f8seth Waade and flutist Trine Knutsen as prominent melodic voices to supplement the guitar, two saxophones, and trumpet. There are complex, meticulously-notated lines and counterpoint but also room for the breath and collective release of improvisation. Elements of chamber music, prog rock, and fusion intermingle as Brekken, drummer Torstein Lofthus, and percussionist Ingvald Andr\u00e9 Vassb\u00f8 lay a robust rhythmic foundation.<\/p>\n<\/div>\n<div id=\"rebelltitem5\" data-id=\"5\" data-reload-ads=\"false\" data-is-image=\"False\" data-href=\"https:\/\/www.premierguitar.com\/artists\/guitarists\/hedvig-mollestad?rebelltitem=5#rebelltitem5\" data-basename=\"particle-5\" data-post-id=\"2659095046\" data-published-at=\"1673371232\" data-use-pagination=\"False\">\n<blockquote><p>\u201cYou go around in your perfect everyday mood, happy to play with your children, while people are experiencing real traumas so close to us.\u201d<\/p><\/blockquote>\n<\/div>\n<div id=\"rebelltitem17\" data-id=\"17\" data-reload-ads=\"false\" data-is-image=\"False\" data-href=\"https:\/\/www.premierguitar.com\/artists\/guitarists\/hedvig-mollestad?rebelltitem=17#rebelltitem17\" data-basename=\"particle-17\" data-post-id=\"2659095046\" data-published-at=\"1673371232\" data-use-pagination=\"False\">\n<p>Mollestad\u2019s guitar is a shapeshifting constellation of sound, from the crunchy overdriven speed-riff of \u201cOn the Horizon, Part 2\u201d to the fractured, echoing wails of the markedly dissonant, slow-grinding \u201cDo Re Mi Ma Ma.\u201d Her glassy, expansive chording meshes with Storl\u00f8kken\u2019s eerie melodies in a marvelous five-minute duet that opens the title track, before a transition to some of the richest ensemble orchestration on the album. And on \u201cMaternity Suite,\u201d she goes full-on arena rock, with big anthemic chords that give way to a striking and truly imaginative flourish: a unison passage for fuzz guitar and flute.<\/p>\n<p>\u201cAll Flights Cancelled\u201d is an outlier, a song conceived for (and recorded by) Mollestad\u2019s trio but reworked for <em>Maternity Beat<\/em> as the one track without the full TJO ensemble. \u201cI felt that we really needed a combo piece,\u201d she explains. \u201cThe album starts with dark, heavy emotional stuff and then this song is a little break in the middle, a fun song to play, focusing on St\u00e5le with [Torstein and Ingvald] both playing drum sets.\u201d<\/p>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" id=\"59140\" data-rm-shortcode-id=\"ccef9bcc143e2a9616db161d15db6f8e\" data-rm-shortcode-name=\"rebelmouse-image\" lazy-loadable=\"true\" src=\"https:\/\/www.premierguitar.com\/media-library\/image.jpg?id=32653913&#038;width=980\" width=\"1536\" height=\"1024\" alt><small><\/p>\n<p>Mollestad switches up her picks depending on what she\u2019s playing. Her default is Dunlop 1 .0 mm, but she\u2019ll use a Jazz III for jazz runs, and a .73 mm pick for strumming.<\/p>\n<p><\/small><small><\/p>\n<p><em>Photo by Arne Haug<\/em><\/p>\n<p><\/small><\/p>\n<div id=\"rebelltitem19\" data-id=\"19\" data-reload-ads=\"false\" data-is-image=\"False\" data-href=\"https:\/\/www.premierguitar.com\/artists\/guitarists\/hedvig-mollestad?rebelltitem=19#rebelltitem19\" data-basename=\"particle-19\" data-post-id=\"2659095046\" data-published-at=\"1675211487\" data-use-pagination=\"False\">\n<p>Amid the lyrical guitar balladry and lush ensemble adornment of \u201cHer Own Shape,\u201d the voices return, reciting words on what Mollestad calls parenthood\u2019s \u201cextreme gift and responsibility.\u201d \u201cMy cell within me \/ Will split to become larger \/ Part to become stronger,\u201d they speak about watching one\u2019s offspring separate and blossom.<\/p>\n<p>\u201cIt\u2019s so strong and sad at the same time,\u201d Mollestad says, \u201cbecause they will always be your biggest concern and you will carry it with you everywhere. At the same time, they\u2019re here to live their own life. And they are perfect as they are. You don\u2019t have to interfere at all because they\u2019re the most equipped to be perfect people. You just have to be yourself because that is what they need from you.\u201d<\/p>\n<\/div>\n<div id=\"rebelltitem15\" data-id=\"15\" data-reload-ads=\"true\" data-is-image=\"False\" data-href=\"https:\/\/www.premierguitar.com\/artists\/guitarists\/hedvig-mollestad?rebelltitem=15#rebelltitem15\" data-basename=\"particle-15\" data-post-id=\"2659095046\" data-published-at=\"1673371232\" data-use-pagination=\"False\">\n<p>But how to get through those difficult moments? On \u201cLittle Lucid Demons\/Alfons\u201d Mollestad recommends a way forward. In unison and with impeccable timing, Solberg and Bj\u00f8rnstad offer a staccato pep talk of sorts for when the kids \u201cpull your hair for you, and paint it gray.\u201d Think of everything, they suggest, in terms of music:<\/p>\n<p><em>look for swing<\/em><\/p>\n<p><em>look for flow<\/em><\/p>\n<p><em>look for beat<\/em><\/p>\n<p><em>and then <\/em><\/p>\n<p><em>take it away.<\/em><\/p>\n<\/div>\n<div id=\"rebelltitem18\" data-id=\"18\" data-reload-ads=\"false\" data-is-image=\"False\" data-href=\"https:\/\/www.premierguitar.com\/artists\/guitarists\/hedvig-mollestad?rebelltitem=18#rebelltitem18\" data-basename=\"hedvig-mollestad-trio-beastie-beastie-live\" data-post-id=\"2659095046\" data-published-at=\"1673371232\" data-use-pagination=\"False\">\n<h3 data-role=\"headline\">\n<p>                Hedvig Mollestad Trio &#8211; Beastie, Beastie (Live)<\/p>\n<\/h3>\n<p><span data-rm-shortcode-id=\"a883c7e3a25a4947edcf25cbfe7660a8\"><iframe type=\"lazy-iframe\" data-runner-src=\"https:\/\/www.youtube.com\/embed\/sUjHq8pFUH0?rel=0\" width=\"100%\" height=\"auto\" frameborder=\"0\" scrolling=\"no\"><\/iframe><\/span><\/p>\n<p>The Hedvig Mollestad Trio goes hard during a Music in Refuge pandemic concert on the deep groove, \u201cBeastie, Beastie\u201d from their 2018 album, <em>Smells Funny<\/em>. Jump to 3:15 for a taste of Mollestad\u2019s Bigsby-fueled soloing prowess.<\/p>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.premierguitar.com\/artists\/guitarists\/hedvig-mollestad\" class=\"button purchase\" rel=\"nofollow noopener\" target=\"_blank\">Read More<\/a><br \/>\n David R. Adler<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hedvig Mollestad\u2019s main guitar is a blonde 1988 Gibson ES-335 Showcase Edition, which she modified with \u201957 Classic humbuckers, Bigsby tremolo, and gold hardware. For a stiff contraption of metal and wood, the guitar can convey an extraordinary range of human emotions. Combine it with an 11-piece ensemble and the options expand like a flower. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":603920,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[534,118737,118738],"tags":[],"class_list":["post-603919","post","type-post","status-publish","format-standard","has-post-thumbnail","category-financial","category-hedvig","category-mollestad"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/posts\/603919","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/comments?post=603919"}],"version-history":[{"count":0,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/posts\/603919\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/media\/603920"}],"wp:attachment":[{"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/media?parent=603919"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/categories?post=603919"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newsycanuse.com\/index.php\/wp-json\/wp\/v2\/tags?post=603919"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}