Music
Fashion is having a moment. You can feel it. Not just on runways, but on the streets, in culture, in the way brands are telling stories again. And Fred Perry? It has always been understood that fashion is never just about clothes. Now, the British icon has come home.
It has opened a new flagship store on Lexington Street in Soho. It’s a space that feels less like a shop and more like a museum, featuring glimpses of everything the brand has stood for over the past seven decades. Designed by longtime collaborators Brinkworth, it taps into the energy of Soho’s music scene while keeping its eyes firmly on what’s next.
Because if Fred Perry does anything well, it is that tension between heritage and rebellion.
Music Where tennis met trouble
There is a story often told about Fred Perry. It’s the mid-sixties. A group of club-goers spill out of Soho’s legendary Flamingo club, climbs a drainpipe, breaks into a nearby Fred Perry shop and ignores the tennis gear completely. Instead, they grab the bold new shirts with sharp twin tipping. That moment changed everything.
What began as a tennis brand quickly became a uniform for youth culture. Mods, rudeboys, Northern soul fans, punks. They all claimed and reshaped it whilst the establishment watched on, slightly horrified. And that spirit runs straight through this new space.
Music A store that sounds as good as it looks
Brinkworth’s concept is called ‘BIG Sound’, and it is exactly that. The idea is simple: If music drives culture, then let it shape the architecture too.
The store is filled with subtle references to sound. Fixtures echo speaker cabinets. Bespoke audio equipment by Friendly Pressure brings the space to life. It is immersive without trying too hard.
Katie Pengilly, associate director at Brinkworth, puts it neatly: “If music is the vehicle for culture, then here, we want it to guide us architecturally. Not in pastiche but inherently, subtly, beautifully.”
That balance is key. Nothing feels forced. Nothing feels nostalgic for the sake of it.
Music Soho, but not as a museum
This is where the project really gets interesting. It would have been easy to lean into retro clichés. After all, Soho has a history dripping from every corner. But instead, the space feels modern, confident and forward-looking.
There are nods, of course. The 100 Club gets a quiet tribute through red tones and photography woven into fitting rooms and the cash desk. A neon Laurel Wreath lights up the façade. A mirrored ceiling installation casts blue light down a curved staircase.
Then there is the giant white tennis ball. A playful reminder of the brand’s roots, back when balls were not even yellow yet. It sits in full view, almost daring you to connect the dots between polite sport and subcultural takeover.
Music Designed for people, not just the product
What’s especially lovely about the space is how it invites you to slow down. There’s an archive wall upstairs that feels like an exhibition. Shirts are treated like icons, not just stock, and product density is low, giving plenty of room to breathe. You are encouraged to stop, look and think.
It’s a smart move when we’re all so sick of endless scrolling and fast everything. Richard Gilmore, managing director at Fred Perry, sums it up: “For our Soho homecoming, we wanted to reference our history in the district and our subcultural heritage in a way that feels modern and relevant.”
That’s just it, isn’t it? A homecoming that does not dwell on the past.
Music Why this matters right now
There is a reason this opening feels timely. Fashion is shifting again. People want meaning when so many things no longer feel real. They want connection. And with the planet the way it is, they want brands to stand for something beyond product.
Fred Perry has always had that edge. It’s got a link to real culture and real human beings. And so its new Soho store leans into it with quiet confidence. Sonny Cant, design director at Brinkworth, says it best:
“The Soho flagship store speaks to the brand’s rich heritage in Soho and music culture, but balances nostalgia with the ‘mod’ mindset of looking forward.”
The best fashion does not just look back; it takes what mattered before and carries it forward.